Mel Coplin departs on a mission of discovery dragging his wife and 4 month old son behind. He and wife, Nancy, won't agree on a name for their son until adopted Mel gets in touch with his roots. He assures her that once he knows who he really is, the right name for their boy will be a snap. Enlisting the aid of student-psychologist and part-time adoption agent, Tina Kalb, they embark on a journey across the United States to find Mel's "birth" mother. "The best part," Mel tells Nancy, "is it's all free." Tina is finishing her dissertation and will film the happy reunion of mother and child as part of her research. For this privilege, she's footing the bill. His adoptive parents are left behind feeling abandoned by an ungrateful son. Clerical errors, mistaken identities, Nancy's misplaced high school friend and his gay lover, and a super-charged libido here and there are thrown into the mix along the way until -- at last -- Mel's real parents, the Schlictings (mispronounced as "...Written by
MARK FLEETWOOD <firstname.lastname@example.org>
After Mel has crashed the truck and is at the police station, Paul and his partner leave the questioning room. When they re-enter the questioning room, Paul opens the door with his left hand. In the next shot, he is entering with a clipboard in his left hand. See more »
The VHS and laserdisc versions (but not the DVD release) feature additional scenes during the end credits, not included in the original theatrical cut, showing the whereabouts of Tina and Tony and Paul. See more »
Why is it that people think grating, annoying, OBNOXIOUS characters are funny ? It's hard to laugh when you just want someone, ANYONE to smack those people up the back of the head as hard as they can. The dialogue goes nowhere, the scenes go nowhere and all in all you feel like you wasted 2 hours of your life watching something that might have worked as a Saturday Night Live skit. Avoid at all costs. I'm the type of person that can always find something redeeming in a film and there is NONE to be found here.
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