A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction.Written by
Marge is visibly pregnant, but in the initial crime scene, she complains of "morning sickness." Morning sickness typically occurs in the first 12-15 weeks of pregnancy, long before any woman has a visible "baby bump." However, morning sickness can last throughout an entire pregnancy. See more »
Opening credits list production companies, main cast, and the title. The crew is not listed until the ending credits, starting with a director credit. See more »
Polygram Filmed Entertainment sold most of its film library to MGM in 1999. As a result, when the video and DVD were re-issued by MGM video, the MGM lion logo was added to the beginning of the film. See more »
Tie a Yellow Ribbon Round the Ole Oak Tree
Written by Irwin Levine and L. Russell Brown
Larball Publishing Co., Inc./
Irwin Levine Grand Music
Recording courtesy Alshire International See more »
Okay, but what was the fuss all about? Accents??
I saw this film in 2004, long after the Oscar buzz had died down. I suppose it's a victim of its own hype. I enjoyed the film, but it seemed somehow smaller than I expected. Frances McDormand's Oscar-winning performance seems so trivial, seen through the perspective of eight years. The story is okay, though I again wonder about the Oscar the Coens received. (The 1996 Oscars were a somewhat weak field.) I spent most of the movie wondering if people in Minnesota and the Dakotas really talk that way, or is "Fargo" as much a travesty of regional accents as most "southern" movies are? Overall, the whole film was a nicely filmed, tight little story with apparently overdone regional ironies.
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