A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Jerry works in his father-in-law's car dealership and has gotten himself in financial problems. He tries various schemes to come up with money needed for a reason that is never really explained. It has to be assumed that his huge embezzlement of money from the dealership is about to be discovered by father-in-law. When all else falls through, plans he set in motion earlier for two men to kidnap his wife for ransom to be paid by her wealthy father (who doesn't seem to have the time of day for son-in-law). From the moment of the kidnapping, things go wrong and what was supposed to be a non-violent affair turns bloody with more blood added by the minute. Jerry is upset at the bloodshed, which turns loose a pregnant sheriff from Brainerd, MN who is tenacious in attempting to solve the three murders in her jurisdiction.Written by
Jenny's son has a Whitesnake poster on his wall. The film is set in 1987, which was the peak of Whitesnake's popularity, but the color scheme, logo and font on this poster are consistent with that of the Slip of the Tongue era; that album did not come out until two years later, in 1989. See more »
The original editing credit for this film was "Roderick Jaynes," a fictitious creation of the Coen Brothers, who edit all their own films with only occasional assistance. Jaynes actually received an Academy Award nomination for his work on this film, but did not win. See more »
I saw this film in 2004, long after the Oscar buzz had died down. I suppose it's a victim of its own hype. I enjoyed the film, but it seemed somehow smaller than I expected. Frances McDormand's Oscar-winning performance seems so trivial, seen through the perspective of eight years. The story is okay, though I again wonder about the Oscar the Coens received. (The 1996 Oscars were a somewhat weak field.) I spent most of the movie wondering if people in Minnesota and the Dakotas really talk that way, or is "Fargo" as much a travesty of regional accents as most "southern" movies are? Overall, the whole film was a nicely filmed, tight little story with apparently overdone regional ironies.
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