Three-times MVP baseball player Bobby Rayburn joins the San Francisco Giants, and obsessive fan, whose profession is selling hunting knives, Gil Renard is excited over that. But Rayburn plays the worst season of his career and Renard tries to do everything to help him, but goes too far.Written by
The remote Beach House (supposedly) owned by Bobby (Snipes) is not in the Bay Area, but is in a remote & private cove in Malibu. The Owners did not want to be "put out" for the duration of shooting all the scenes there, so Production put them up in the Beverly Hills Hotel... AND aside from paying very hefty temporary rental fee (License Agreement), the production hired Licensed Contractors to completely remodel the house inside & out, rather than bring in temporary "Set Pieces" that would be removed after filming wrapped... basically a multi-hundred thousand dollar make-over (will all stringent City of Malibu Building Permits & Coastal Commision Approval). See more »
When Bobby Rayburn and Juan Primo collide at the beginning, Primo, who was in left field, runs in from right field. See more »
[Gil narrating his poem]
Excited and anxious, I await my dream / To escape, applaud and embrace my team / Opening day I always can trust / It's just for this high that I crazily lust / Return of our hero does brighten the days / Just briefly my troubles get lost in the haze / The grace from the field arouses the crowd / Reflects on the days when I was quite proud / I'm more entranced than the average fan / I used to play, you see, and I know I still can / That time I drove the ball ...
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Closer (Further Away)
Written by Trent Reznor
Performed by Nine Inch Nails
Courtesy of TVT Records and Interscope Records
By Arrangement with MCA Special Markets & Products
Published by Leaving Hope/TVT Music Inc. See more »
Gil Renard (Robert De Niro) is a failing knife salesman, a SF Giants fanatic, a divorced father of a boy, and a very angry guy. Bobby Rayburn (Wesley Snipes) is a new sign to the ball club, and the hope for savior. Both men's lives go downhill.
Director Tony Scott has made a movie filled with flash and sizzle. It doesn't accentuate as much as distract. When there is a master thespian like Robert De Niro, all the extra fireworks just take the focus away from the real show. And Wesley Snipes isn't likable enough. A less stereotypical selfish black athlete may help. His scenes with his agent Manny (John Leguizamo) are annoying and tiresome. This could have been a creepy character study like the iconic 'Taxi Driver'. But it never allows De Niro any peace and quiet to do his work properly.
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