Exit in Red (1996)
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- R
- 1h 37min
- Thriller, Drama
- 23 Aug 1996 (Poland)
- Movie
Photos and Videos
Cast verified as complete
Mickey Rourke | ... |
Ed Altman
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Annabel Schofield | ... |
Ally Mercer
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Anthony Michael Hall | ... |
Nick
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Hank Garrett | ... |
Dr. Wayland
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Carré Otis | ... |
Kate
(as Carre Otis)
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Stacey Pickren | ... |
Bartender
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Pat Destro | ... |
Mrs. Lilly
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Robert F. Lyons | ... |
Detective Vollers
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Dean Simone | ... |
Detective Lambert
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Glenn Soo Hoo | ... |
Police Officer
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Terry James | ... |
Ratowski
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Bonnie Paul | ... |
Waitress
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Johnny Venokur | ... |
Cop
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Rest of cast listed alphabetically: | |||
Lance Patrick | ... |
Deputy Thomas
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Directed by
Yurek Bogayevicz |
Written by
J.S. Cardone | ... | (story) & |
David Womark | ... | (story) |
David Womark | ... | (screenplay) |
Produced by
Eric M. Breiman | ... | associate producer (as Eric Breiman) |
J.S. Cardone | ... | executive producer |
Nick De Biase | ... | associate producer (as Nick DeBiase) |
Scott Einbinder | ... | producer |
Joseph Inga | ... | associate producer (as Joe Inga) |
Carol Kottenbrook | ... | producer |
Hank Paul | ... | executive producer |
Steven Paul | ... | producer |
Jefferson Richard | ... | co-producer |
David Womark | ... | executive producer |
Music by
Michal Lorenc |
Cinematography by
Ericson Core | ... | director of photography |
Editing by
Gail Yasunaga |
Editorial Department
Kirk M. Morri | ... | assistant editor |
Casting By
Dorothy Koster Paul | ... | (as Dorothy Koster) |
Production Design by
Jacques Hébert | ... | (as Jacques Hebert) |
Costume Design by
Paris Libby |
Makeup Department
Shutchai Tym Buacharern | ... | key makeup artist (as Tim Buacharern) |
Thomas Real | ... | hairdresser: Mr. Rourke |
Denise Rossouw | ... | assistant hair stylist / assistant makeup artist |
Jay Wejebe | ... | makeup artist: Mr. Rourke |
Production Management
Ruta K. Aras | ... | production manager |
Kiku Terasaki | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Michelle LeDoux | ... | second assistant director |
Jana Ludwigova | ... | second second assistant director |
A. Brooks Medoff | ... | second second assistant director (as Brooks Medoff) |
Eddie Perez | ... | first assistant director |
Horst Steiner | ... | second second assistant director (as Chad Steiner) |
Franklin A. Vallette | ... | first assistant director (as Franklin Vallette) |
Art Department
Robert La Liberte | ... | lead man |
Nicole Lee | ... | props |
Caroline Schoemate | ... | assistant production designer |
José Segura | ... | swing (as Jose Segura) |
David Sloan | ... | assistant props |
Mandana Yamin | ... | assistant production designer |
Kasia Adamik | ... | storyboard artist (uncredited) |
Sound Department
Eric Behrend | ... | re-recording mixer |
Dickran Bezirgenian | ... | adr recordist (as D. B. Bezirgenian) |
Mark Boccaccio | ... | sound design supervisor (as Marc Boccaccio) / sound effects editor (as Marc Boccaccio) |
Arman Boyles | ... | foley recordist |
Dee Dee Davis | ... | post-production audio coordinator |
Lisa Fredriksen | ... | boom operator |
Bruce Greenspan | ... | sound effects editor |
Matt Gruber | ... | re-recording mixer |
John R.F. Halaby | ... | location sound mixer (as John Halaby) |
Paul Holzborn | ... | foley artist |
Anthony M. McCovey | ... | boom operator (as Antony McCovey) |
Jacqueline Marie McLaughlin | ... | boom operator (as Jackie McLaughlin) |
James Moriana | ... | foley artist |
Tara A. Paul | ... | adr assistant (as Tara Paul) |
Paul Ratajczak | ... | sound supervisor |
Eddie Rogers | ... | dialogue editor |
Dennis Sager | ... | chief sound engineer |
Kerri Wilson | ... | adr editor |
Special Effects by
Josh Hakian | ... | special effects coordinator |
Eddie Surkin | ... | special effects coordinator (as Eddie Serkin) |
Stunts
Craig Bragdon | ... | stunts |
Terry James | ... | stunt coordinator |
Gary McBride | ... | stunts |
Gary Paul | ... | stunts |
Camera and Electrical Department
Michael P. Catanzarite | ... | best boy |
Rick Davidson | ... | steadicam operator |
Steve Delgado | ... | best boy |
Louie Escobar | ... | gaffer (as Louis Escobar) |
Renee Hedstrom | ... | first assistant camera |
Diamantina Jannon | ... | second assistant camera (as Diamantina Jannone) |
John Lambert | ... | director of photography: second unit |
Juan Martínez | ... | electrician (as Juan Martinez) |
Gary McBride | ... | dolly grip / key grip |
Gino Mifsud | ... | still photographer |
Luc G. Nicknair | ... | director of photography: second unit (as Luke Nicknair) |
Ralph Pichler | ... | camera loader: second unit |
Albert Sanchez | ... | grip |
Konrad Sigurdsson | ... | grip (as Conrad Sigurdson) |
Tara Summers | ... | first assistant camera: second unit |
Ken Sylvester | ... | electrician |
Randy Tepper | ... | still photographer |
Johann Wolf | ... | first assistant camera: second unit |
Erik Wolford | ... | electrician (as Eric Wolford) |
Dan Zarlengo | ... | gaffer (as Dan Zarlenga) |
Casting Department
Randy Callahan | ... | extras casting |
Ann Ross | ... | extras casting |
Costume and Wardrobe Department
Nacole Raphaelin | ... | key set costumer (uncredited) |
Location Management
Jean-Yves Bosc | ... | location scout |
Michael Brewer | ... | location manager |
Jeff Ritchie | ... | location manager |
Music Department
Konstantin Krimets | ... | conductor: The Moscow Philharmonic Orchestra |
Script and Continuity Department
Liliana M. Molina | ... | script supervisor |
Transportation Department
James 'Ams' Amorin | ... | transportation captain (as James Amorin) |
Ron Blondeheim | ... | driver: Stratrax |
David Gerry | ... | driver (as David Gary) |
John Henry | ... | driver |
Alvin Hurd | ... | driver: honeywagon |
Richard 'Bongo' Mitchell | ... | picture car coordinator (as Richard Mitchell) |
Moses Paskowitz | ... | transportation coordinator |
Michael Santana | ... | driver (as Mike Santana) |
Tobi Wurth | ... | driver (as Tobi Worth) |
Bradley Sackin | ... | driver (uncredited) |
Gaston Wurth | ... | transportation (uncredited) |
Additional Crew
Ron Arredondo | ... | craft service |
Ora Berman | ... | insurance |
Tamar Chafets | ... | assistant: Mr. Paul |
Dee Dee Davis | ... | account executive |
Matt DiFranco | ... | production coordinator |
Shelly Gant | ... | director of sales |
Lew Horwitz | ... | production financing: Lewis Horwitz Organization (as Lewis Horwitz) |
Helen Karagozian | ... | set teacher |
Mark Kudra | ... | production assistant |
Peter Lambert | ... | production financing: Lewis Horwitz Organization |
Margie Levers | ... | production accountant |
Bryan Matthew | ... | production assistant |
Jodi Novick | ... | production assistant |
Vicky Pike | ... | unit publicist |
Bruce Reiss | ... | assistant: Mr. Bogayevicz |
Adrian F. Roscher | ... | legal services / production financing |
Joseph Rose | ... | production assistant |
Steven Jay Rubin | ... | unit publicist (as Steve Rubin) |
Judy Sharinger | ... | completion bond representative |
Peter Sherayko | ... | weapons handler |
Truman Van Dyke | ... | insurance |
Jim Zimmerman | ... | set medic: Rescues Unlimited |
Scott Bigbee | ... | production assistant (uncredited) |
Frederic Perrin | ... | caterer (uncredited) |
Thanks
Andreas Fallscheer | ... | special thanks |
William J. Immerman | ... | special thanks (as Bill Immerman) |
Ken Nakagawa | ... | special thanks |
Per Samuelson | ... | special thanks |
Sammy Shinkai | ... | special thanks |
Danny Suh | ... | special thanks |
Kurt Wellejus | ... | special thanks |
Production Companies
Distributors
- Comstock (1997) (Japan) (theatrical)
- Medusa Distribuzione (2001) (Italy) (theatrical)
- Aquarius TV (2007) (Greece) (tv)
- Crystal Sky Worldwide
- Dutch FilmWorks (DFW) (2003) (Netherlands) (DVD) (Movie Gold Collection)
- Dutch FilmWorks (DFW) (Netherlands) (DVD)
- Medusa Communications and Marketing (1996) (United Kingdom) (VHS)
- Network Entertainment (1996) (Australia) (VHS)
- New Vision Video (1996) (Germany) (VHS)
- Paramount Home Entertainment (video)
- Scanbox Entertainment (1996) (Sweden) (video)
- Screen Power Home Entertainment (2001) (Germany) (DVD)
- Spentzos Film Home Video (1996) (Greece) (VHS)
Special Effects
Other Companies
- Barbervision (crane)
- Camera Cars Unlimited (camera car)
- Crest National Laboratory (color by)
- Crest National Laboratory (laboratory services)
- Crystal Sky Worldwide (presents)
- Cuisine Express (catering)
- EMI America Records (soundtrack available on)
- Eastman Kodak (filmed on)
- Exit In Red Productions (copyright 1996)
- Film Finances (completion bond services)
- Ground Control Studios (post-production sound services)
- Hollywood Optical Systems (titles and opticals)
- Hollywood Rentals Productions Services (electric package)
- Hollywood Rentals Productions Services (grip)
- Jurek Owsiak and His Christmas Band (special thanks)
- Lewis Horwitz Organization (production financing)
- Magic Film and Video Works (laboratory services)
- Magic Film and Video Works (negative cutting)
- Moscow Music Studios (music recorded at)
- Moscow Philharmonic Orchestra (score recorded by)
- Rescues Unlimited (set medic)
- Shotmaker (camera car)
- Tommy Helinger Clothing (special thanks)
- Valentine Studios (avid post-production system)
- Warsaw Music Studios (Polish jazz specialists recorded at)
Storyline
Plot Summary |
A psychiatrist moves out west after he is brought up on charges of sexual misconduct, for which his adoring, female attorney eventually gets the charges dropped... with the hope that this will move him to like her as much as she likes him. But it is not to be, for this is a doctor who seems destined to be sexually involved with much more cunning than loving women, and it isn't long before one of them has him caught up in an affair, only to then have her 'husband' come and make accusations to the doctor. Urgently called in the night by the woman, claiming that she is being beaten by her 'husband', the doctor goes to her.... only to find that her real husband has been murdered and the man who had been playing her husband is really her boyfriend, and the two of them have run off. The doctor has been set up, but because of his past, it is impossible for him to convince the law of his innocence, and he must resolve the matter in his own way.
Written by BOB STEBBINS |
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