The gruesome murder of a Brooklyn Detective will turn the case into a personal vendetta when the deceased's best friend and fellow officer will unleash an all-out attack against a psychotic Mafia enforcer's brutal gang.
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Terrorists take over a 747 bound from Athens to Washington D.C., supposedly to effect the release of their leader. Intelligence expert David Grant suspects another reason and convinces the military that the 'plane should not be allowed to enter U.S. airspace. An assault mission is devised, using a specially equipped 'plane designed for mid-air crew transfers, and Grant finds himself aboard the 747 with a team of military anti-terrorists who have to defuse a bomb and overpower the terrorists.Written by
Ron Kerrigan <firstname.lastname@example.org>
At the indicated time of year, the nights in London are over 10 hours long and twilight lasts about 35 minutes. A scene set at Gatwick Airport about 2 hours before the hijacked plane arrives in Washington takes place in darkness, which is correct if it was about sunset at the time of hijacking. But the takeoff time from Gatwick referred to is about 6:30 am, long after sunrise, and indeed we see this plane flying in daylight, still before the hijacked plane reaches Washington. See more »
I saw this in 1996 and thought it was extremely entertaining--an action movie with emphasis on suspense over shoot-em-up thrillers and explosions. Seeing it again, after the events in the past 4 years, is a different experience. Some of the fictional dialog has actually been quoted by fanatics in the news. I had the same reaction with Black Sunday with Robert Shaw. A movie meant as pure escapism is now more like "what if." Executive Decision does ask you to suspend disbelief several times, especially near the end. I would rank it up with Air Force One, which came out a year later and delivers the same type of "suspense over explosions" entertainment. And this film deserves extra kudos for making the ones that save the world a bit on the "misfit" side (Oliver Platt, John Leguizamo, Joe Morton, BD Wong, and yes, even Kurt Russell). Another nice slimy role for late character actor JT Walsh. And David Suchet makes a scary villain. Like the best villains (Alan Rickman from Die Hard comes to mind), he can be charming and terrifying at the same time.
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