Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Holden and Skylar are in love. Skylar lives with a large extended family in Manhattan. Her parents, Bob and Steffi, have been married for many years. Joe, a friend of theirs, has a daughter, DJ, with Steffi. After yet another relationship, Joe is alone again. He flees to Venice, where he meets Von, and makes her believe that he is the man of her dreams. However, their happiness is fake all the way, and Von returns to her husband. Steffi spends her time in philanthropy, and manages to break up Skylar and Holden by introducing Skylar to ex-con Charles Ferry.Written by
The camera and Woody Allen are reflected in a mirror during the dance scene in the jewelry store. See more »
[Sitting in the funeral parlor]
What's it all about? I ean, what - what are we doing? We're rushing... we're rushing...
Where are we going?
[Commenting as a sidebar to Lane about their parents]
They're so old.
...into the void.
That's it. The void is it? You know, I never believed in God!
No, I didn't... not even asa little kid. I used - I used to think - I remember this - I used to think even if he exists, he's done such a terrible job!
It's a wonder people...
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This is a wonderfully funny story, affectionately parodying old-time musicals, and evoking a nostalgic regret that they are not being made any more. Some of the vocalizations are amateurish (Alan Alda is an exception) but Dick Hyman's musical arrangements and the performances of the musicians are fine. Alda's rendition of the old Cole Porter song "Thinking of You", accompanied by the marvelous Dick Hyman on the piano, is first rate.
Woody Allen provides many hilarious moments. He uses the great violinist Itzhak Perlman as the punch line to a carefully constructed gag. He uses the invasion of privacy of a session of psychoanalysis as an offbeat plot device. He satirizes the romantic young and the do-gooding impulses of the old. He takes us from Manhattan to Venice and Paris. He involves us in old tunes and comically elaborate dance routines. He gives us a good time.
Everyone Says I Love You is one of the very few movies I have ever gone back to the theater to see another time. I even bought the tape.
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