Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
October 1944 in war torn Italy. Hana, a French-Canadian nurse working in a mobile army medical unit, feels like everything she loves in life dies on her. Because of the difficulty traveling and the dangers, especially as the landscape is still heavily booby-trapped with mines, Hana volunteers to stay behind at a church to care solely for a dying semi-amnesiac patient, who is badly burned and disfigured. She agrees to catch up to the rest of the unit after he dies. All the patient remembers is that he is English and that he is married. Their solitude is disrupted with the arrival at the church of fellow Canadian David Caravaggio, part of the Intelligence Service, who is certain that he knows the patient as a man who cooperated with the Germans. Caravaggio believes that the patient's memory is largely in tact and that he is running away from his past, in part or in its entirety. The patient does open up about his past, all surrounding his work as a cartographer in North Africa, which ...Written by
Extras in the Cairo market are wearing burnooses (hooded robes) from Tunisia (filming location), not worn in Egypt. See more »
There's a man downstairs. He brought us eggs. He might stay.
Why? Can he lay eggs?
Why are people always so happy when they collide with someone from the same place? What happened in Montreal when you passed a man in the street? Did you invite him to live with you?
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The producer and director wish to thank The Tozeur District Governor. See more »
I can understand why some people think this movie is boring. I think it appeals much more to people who are used to the pacing of classic books.
I'm sure many of those who hated it are much like a co-worker of mine who said "Books? I haven't a book since I had to in high school." I checked some of the names of the people who reviled this movie and sure enough it seems many of them think Armaggedon was an "awesome" movie and Chris Farley was a "Comic genius". And that's O.K. Taste is an individual thing.
My sensibilities tell me that the english patient is a very good movie that takes effort to appreciate. Much in this movie is very subtle. It is not a vacation for the brain.(Hey, sometimes the brain NEEDS a vacation, and stupid movies provide that!) Also, it is not a cynic's movie. It's about idealism, tragedy and regret. About how people can want the best but have it all fall apart because of bad choices, and have to go on with the regret of never being able to remedy the situation. Not so much a love story as a tragic one. So many people destroyed because of the selfishness of two people couldn't(wouldn't?) control themselves.
I would ask those who thought the movie boring to watch it again when you feel able to pay full attention to what's going on in the film and how different bits of dialogue dovetail into subtle suggestions of how the characters are feeling and thinking. This movie takes an investment of time, thought and emotion. If this investment is made, I think most people who watch it will feel rewarded.
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