Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home... See full summary »
Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the ... See full summary »
Björn Jörundur Friðbjörnsson,
Thorarinn Oskar Thorarinsson
Old Thorgeir must leave his home far off in the Icelandic 'countryside' and move into a home for senior citizens in Reykjavik. There he meets an old friend from his childhood, Stella. ... See full summary »
The inventive scoundrels from New Life, Thor and Danny, return in this sequel with a new bag of tricks. Here they present themselves as experts on agriculture and hoax an unfortunate farmer... See full summary »
Karl Ágúst Úlfsson,
When her husband breaks his arm, Stella is forced to go in his place with his Swedish colleague on a fishing trip. Unbeknownst to her, she picks up the wrong man on the airport; a man ... See full summary »
Gestur Einar Jónasson,
Will the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Djoflaeyjan takes place in Reykjavik in the years following World War II. The British and American occupation army has left their bunkers behind. They became homes to hundreds of lower-class people who were pouring into the capital during those years. Djoflaeyjan tells the story of the struggle and often humorous life of people in the bunkers in those difficult times.Written by
Frimann Stefansson <firstname.lastname@example.org>
A very dark comedy dealing with people living in abandoned US barracks in Iceland. The characters apparently were based on real people but really, they could be characters that we know in our own parts of the world, making the point that we are all part of the human race with our foibles and idiosyncrasies. Yes, it was in the Icelandic language; yes, you likely had to read sub-titles. But for anyone interested in serious film, this would be no hindrance. This film puts to shame the overwhelming majority of films made in the USA these days which seem to be dumbing down even more each year. This is a film about life, covering a wide range from comedy to tragedy, but always thought-provoking and involving.
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