Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home... See full summary »
Will the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Old Thorgeir must leave his home far off in the Icelandic 'countryside' and move into a home for senior citizens in Reykjavik. There he meets an old friend from his childhood, Stella. ... See full summary »
Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the ... See full summary »
Björn Jörundur Friðbjörnsson,
Thorarinn Oskar Thorarinsson
Djoflaeyjan takes place in Reykjavik in the years following World War II. The British and American occupation army has left their bunkers behind. They became homes to hundreds of lower-class people who were pouring into the capital during those years. Djoflaeyjan tells the story of the struggle and often humorous life of people in the bunkers in those difficult times.Written by
Frimann Stefansson <email@example.com>
I go out of my way to view foreign/independent film (I know, we're a vanishing breed) and rented this video at a neighborhood store that has a pretty good foreign selection mostly on the power of having seen COLD FEVER, which I enjoyed.
While I appreciate "dark comedies" as much as the next person -- and am a huge fan of Aki Kurasmaki (so I have some familiarity of Scandinavian film sensibility) -- it was a mistake to have placed so much of the film's success around a character as thoroughly unlikable as Baddi.
While he dominates the screen with charmless, witless and appalling behavior that knows no bounds (premised on his contact with "America"), most of the other characters are used as props and are nobly antithetical, i.e., they have a conscience. But for the most part, as a whole they cannot counterbalance the effect that the Baddi character has on the film.
That is a shame because there appeared to be some good potential character driven aspects to the story that were wasted.
3 of 6 people found this review helpful.
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