A cop framed for murder is the only one not in cryosleep when a team of thieves boards the armored treasury spaceship he's on to steal its load - 40 billion universal dollars - and then ram the ship into a comet to cover their tracks.
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that's often the result and the redemption that comes from tearing those walls down. The film is ... See full summary »
In a post-apocolyptic Los Angeles, a wheelchair bound veteren volunteers for an experimental cybergenic program that wil allow him to walk again only to find that it turns him into a lethal... See full summary »
Phillip J. Roth
An out-of-control robot is inadvertently set loose in a small community, and a crack squad of soldiers are sent to hunt it down. Gradually, the members of the squad begin to suspect that some of them are robots.
In the near future, a new law has criminals sent to a virtual reality world as their prison, built by a shadowy corporation called Zircon based in Seattle. The designer of the system, Steven Falcon, realizes the danger of it being overloaded and of hackers who try to break in and steal files only to have the prisoners try to break out via that method. When Falcon threatens to quit the operation, he becomes marked for murder by his employers who force him to enter the Matrix virtual reality/afterlife to find the source of the danger of the system crashing.Written by
Three stars for Julie Benz, Clare Stansfield and the music
I always aim to be fair to movies in reviews and ratings, I always try to know what to expect before viewing, I never bail out after a certain amount of time, I try to be as succinct and unbiased as possible and be understanding of other people's opinions instead of generalising or attacking(on a side note, people can do with this and they'll be surprised at how easy it is). I gave that treatment to Darkdrive and while I have seen much worse I still didn't like it. It is not entirely irredeemable, the music manages to be memorable and fitting, Julie Benz has a beautiful face and appealing presence that really shines through and Clare Stansfield is very cool. However there is so much that is wrong. The worst asset was the story which I found impossible to follow, in fact I don't think I have ever been this confused by a movie before. As a consequence of that, and the turgid pacing too, I never had any engagement or emotional attachment to the action or characters. Any suspense, memorable action move or humour just wasn't there in Darkdrive, there were probably attempts that didn't come through, at least to me. The dialogue is clichéd and stilted while the rest of the acting is at best dire. The camera work and angles get too much, there was an attempt to tell the story through them but with that tactic everything just felt incomprehensible, and the special effects look as though they belong in a very cheap-looking movie from the 80s. All in all, not the worst I've seen but lame. 3/10 Bethany Cox
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