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Crash (1996)

NC-17 | | Drama | 21 March 1997 (USA)
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.

Director:

David Cronenberg

Writers:

J.G. Ballard (novel), David Cronenberg
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Popularity
2,008 ( 305)
9 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
James Spader ... James Ballard
Holly Hunter ... Helen Remington
Elias Koteas ... Vaughan
Deborah Kara Unger ... Catherine Ballard (as Deborah Unger)
Rosanna Arquette ... Gabrielle
Peter MacNeill ... Colin Seagrave
Yolande Julian Yolande Julian ... Airport Hooker
Cheryl Swarts Cheryl Swarts ... Vera Seagrave
Judah Katz ... Salesman
Nicky Guadagni ... Tattooist
Ronn Sarosiak Ronn Sarosiak ... A.D.
Boyd Banks ... Grip
Markus Parilo Markus Parilo ... Man in Hanger
Alice Poon Alice Poon ... Camera Girl
John Stoneham Jr. ... Trask
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Storyline

Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed. Written by Matt A. Knapp <mak8@le.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

The most controversial film you will ever see. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated NC-17 for numerous explicit sex scenes | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada

Language:

English | Swedish

Release Date:

21 March 1997 (USA) See more »

Also Known As:

Crash: Extraños placeres See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$738,339, 6 October 1996

Gross USA:

$2,664,812

Cumulative Worldwide Gross:

$2,664,812
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (R-rated)

Sound Mix:

Dolby | SDDS | Dolby Digital

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In the United Kingdom, this film is banned from sale or theatrical exhibition within the city of Westminster (London), although it is possible to buy the DVD in greater London and (in theory) see the film at a cinema outside of Westminster (this was true at the time of the cinematic release). Also, similar theatrical bans were placed in other parts of U.K. cities (including Chester and Cardiff, to name a few). See more »

Goofs

After Vaughan repeatedly crashes the left front bumper of his Lincoln into a junker James Ballard is sitting in, causing major damage to the bumper and the lights, Vaughan is soon shown driving on the highway with no damage to the bumper and both left lights operational. See more »

Quotes

James Ballard: Do you see Kennedy's assassination as a special kind of car crash?
Vaughan: The case could be made.
See more »

Alternate Versions

Portuguese rental video version seems to be the one made for Blockbuster video. For retail the alleged mistake was corrected, though some censored tapes were still seen on sale. The cut scenes are as follows: See more »

Connections

Version of Crash! (1971) See more »

Frequently Asked Questions

See more »

User Reviews

 
Utterly bizarre and empty.
20 August 2000 | by bat-5See all my reviews

David Cronenberg likes to push the envelope in film. With Scanners, he ushered in a new wave of horror. With The Dead Zone, he gave us horror of a more subdued kind. With The Fly, he remade a sci-fi classic and gave it a new spin. And with Dead Ringers, he explored the strange dual life of twins. With Crash, Cronenberg pushes us, but I don't know what kind of repsonse he was going for. The story concerns James Ballard and a group of crash enthusiasts. After his initial crash, Ballard meets up with Helen Remington and a mysterious man named Vaughn. Ballard is soon introduced to the strange world of car crashes, and the rush of sexual tension. Now I can see where there is a thin line that separates these two acts. Both bring out a strong physical and emotional reaction, but the characters in the film are too detached from life. There is sex without pleasure, and the only way these people can experience pleasure, is through the trauma of an automobile accident. The film moves along at a leisurely pace and nothing ever really happens. There is no dramatic need that these characters have to fill. There is no urgency in their actions and their motivations are clouded, by what I interpret as boredom. Cronenberg has done some fine work in the past, and I think he'll come along and shock us with a truly original film. Until then, stick with the four I mentioned at the top.


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