After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.
Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed.Written by
Matt A. Knapp <firstname.lastname@example.org>
The film was voted the #1 movie of 1996 by "Les Cahiers du Cinéma." See more »
After Vaughan repeatedly crashes the left front bumper of his Lincoln into a junker James Ballard is sitting in, causing major damage to the bumper and the lights, Vaughan is soon shown driving on the highway with no damage to the bumper and both left lights operational. See more »
After being bombarded endlessly by road safety propaganda, almost a relief to have found myself in an actual accident.
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Irish film and video versions were cut by 35 seconds. The cut removes the explicit dialogue from the sex scene between Ballard and his wife in their bed. DVD version is uncut, and the film has been shown uncut on Irish television station TV3. See more »
I had read the novel and was very curious to see what David Cronenberg would do. The book was somewhat better, but I thought the movie was very intelligent, disturbing and outrageous. The cast does well, especially Deborah Kara Unger, who gives the best performance in the movie. As usual, Cronenberg creates another world, and either you want to go there or not, but this time it ended up being fascinating, for me at least.
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