Crash (1996)

After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.

Director:

David Cronenberg

Writers:

J.G. Ballard (novel), David Cronenberg

Stars:

James Spader, Holly Hunter, Elias Koteas

9 wins & 5 nominations.

Cast

Complete credited cast:
James Spader	...	James Ballard
Holly Hunter	...	Helen Remington
Elias Koteas	...	Vaughan
Deborah Kara Unger	...	Catherine Ballard
Rosanna Arquette	...	Gabrielle
Peter MacNeill	...	Colin Seagrave
Yolande Julian	...	Airport Hooker
Cheryl Swarts	...	Vera Seagrave
Judah Katz	...	Salesman
Nicky Guadagni	...	Tattooist
Ronn Sarosiak	...	A.D.
Boyd Banks	...	Grip
Markus Parilo	...	Man in Hanger
Alice Poon	...	Camera Girl
John Stoneham Jr.	...	Trask

Storyline

Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed.

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Plot Keywords:

car crash | accident victim | sexuality | erotic thriller | bisexuality | 

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Taglines:

Life is a highway

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated NC-17 for numerous explicit sex scenes

Details

Country:

Canada

Language:

English Swedish

Release Date:

21 March 1997 (USA)

Also Known As:

Crash: Extraños placeres

Filming Locations:

Graydon Hall Drive, North York, Ontario, Canada

Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$738,779, 23 March 1997, Limited Release

Gross USA:

$2,038,450

Company Credits

Production Co:

Alliance Communications Corporation, Recorded Picture Company (RPC), The Movie Network (TMN)

Technical Specs

Runtime:

100 min 90 min (R-rated)

Sound Mix:

Dolby SDDS Dolby Digital

Color:

Color

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film was ranked #8 on Martin Scorsese's list of the "Best Films of 1990s."

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Goofs

After Vaughan repeatedly crashes the left front bumper of his Lincoln into a junker James Ballard is sitting in, causing major damage to the bumper and the lights, Vaughan is soon shown driving on the highway with no damage to the bumper and both left lights operational.

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Quotes

James Ballard: Do you see Kennedy's assassination as a special kind of car crash?
Vaughan: The case could be made.

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Alternate Versions

In the car wash scene, Ballards watches from the front seat as Catherine has sex with Vaughan. The cuts are similar to the ones previously described, because the scene is very similar (voyeuristic satisfaction from Ballard shown in same kind of shots, panning from his face to the back seat.). Three shots of Vaughan's hand on Catherine's genitals are removed, as the scene were her hand covered in semen reaches for the front seat.

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Connections

Featured in X-Rated (2004)

User Reviews

A daring film that didn't quite work

"Crash" had a lot of potential. I feel like I can criticize it harshly because I am a Cronenberg fan and this was nowhere close to his best work. The themes (sexual "deviance," violence, obsession) that Cronenberg was exploring are very relevant to today's post-modern society. However, this film didn't get the message across. Supposedly the book by James Ballard deals more with our obsession with fame and celebrities; that was not dealt with in the film and it should have been. It would have resulted in a more coherent piece of art. As you watch the movie, you feel like a kid watching late-night TV and stumbling upon something "dirty" that you know you aren't supposed to see. That's about it. As an adult, you know that there is supposed to be symbolism, an underlying metaphor or allegory, but the viewer is never really let in on the secret. Instead, we see a lot of strange sex scenes, car crashes and empty dialogue. I wanted to like this film, but it was boring, a little pretentious, and left me wanting more substance.

4 out of 10