The pilot of a rescue copter, Captain Karen Walden, died shortly before her helicopter crew was rescued after it crashed in Desert Storm. It first appears that she made a spectacular rescue of a downed helicopter crew, then held her own crew together to fight off the Iraqis after her copter crashed. Lt. Colonel Serling, who is struggling with his own demons from Desert Storm, is assigned to investigate her worthiness for the Medal of Honor. But some conflicting accounts, from her crew and soldiers in the area, cause him to question whether she deserves it.Written by
Brian W Martz <B.Martz@Genie.com>
Matt Damon not only went on an extreme diet, he would also run twelve miles a day, drinking four to six pots of coffee to muster up the energy. His extreme dieting went to the point where he had to had to wash his mouth every time his girlfriend kissed him, because he could taste what she had been eating. Director Edward Zwick got so scared by Damon's emaciated appearance that he ordered the actor to start eating again, but Damon refused. Unfortunately for him, as he was not an established star at the time, he had to do all of this under his own steam, without the help of a nutritionist. After filming was done, Damon was diagnosed with deregulated blood sugar, which required medication. It would take Damon a good two years to get his body back to normal. See more »
When the LtCol's tank is confronted by enemy infantry he uses his .50 Cal by using its butterfly trigger which would allow the weapon to fire, but by doing it that way he couldn't have aimed the weapon system, and it exposes himself to danger. Instead he should have used commander's control inside the tank which would have been safer for him and he could change the elevation and traverse the cupola. See more »
[to LTC Serling, after Anne Marie saw him and ran away]
Men dressed as you are came to the door to tell her her mother had died.
See more »
The story is a simple one. Washington is a Lt. Colonel responsible for some accidental deaths during a tank battle in the Gulf War. The experience leaves him feeling pretty lousy. He neglects his family and begins drinking. He's assigned to investigate the suitability of Meg Ryan as a posthumous recipient of the Medal of Honor. She was flying a medevac helicopter to a crash site when her aircraft was shot down by small arms fire and, apparently, she stayed behind voluntarily and ordered her crew to save themselves while she covered them. Washington interviews the crew members and gets different stories. In one story Ryan behaves heroically as described. In a second, she is a coward and collapses under fire. In yet a third, the truth emerges. Yeah, it's Rashomon, but not as original or subtle.
Still it's pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn't really important to the narrative.
The performances are better than I'd expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn't have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He's good as carrying that burden of guilt left over from his battlefield mistake but isn't too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.
There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that's beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.
The battle scenes are well done, although a little confusing, as I'm sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won't go into it. Justice outs, let's say that.
It's a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.
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