Drama set in a repressed, deeply religious community in the north of Scotland, where a naive young woman named Bess McNeil meets and falls in love with Danish oil-rig worker Jan. Bess and Jan are deeply in love but, when Jan returns to his rig, Bess prays to God that he returns for good. Jan does return, his neck broken in an accident aboard the rig. Because of his condition, Jan and Bess are now unable to enjoy a sexual relationship and Jan urges Bess to take another lover and tell him the details. As Bess becomes more and more deviant in her sexual behavior, the more she comes to believe that her actions are guided by God and are helping Jan recover.Written by
Jonathan Broxton <email@example.com>
In a 2005 interview by Swedish journalist Stina Dabrowski, Lars von Trier said the following about the film (translated from original danish):
"I was determined to write a story that was so far-fetched and so full of clichés that no one could take it seriously, but of course the audience liked it. All you have to do is come up with something really stupid, and it will become a great success." See more »
(at around 7 mins) When Bess is in bed with her sister-in-law, the blanket is on, then off, Bess' shoulder. See more »
His name is Jan.
I do not know him.
He's from the lake.
You know we do not favor matrimony with outsiders.
Can you even tell us what matrimony is?
It's when two people are joined in God.
See more »
In the home video release of the film, the 8th chapter card is accompanied by Elton John's "Your Song", but in the theatrical release, that chapter card was accompanied by David Bowie's "Life On Mars". Most recent video releases (such as the Fox UK Region 2 DVD) use "Life On Mars." See more »
Initially, this story about the marriage of young Scottish woman and a Scandinavian oil rig worker had my eyes glazing over. I was ready to hit the eject button about 20 minutes into the movie. But I held in there and slowly was drawn in to their lives, their environment, and the ghastly tragedy that confronts them.
Lars von Trier is a very patient storyteller, as well as being an eccentric movie maker. In Breaking the Waves, he slowly, very slowly unfolds his drama. The problem is; you have to pay careful attention, and this can be difficult. Von Trier's style, with its hand-held camera, lack of artificial lighting, grainy photography, and lingering close-ups can try the patience. The movie is also long, clocking in at about 2½ hours. But if you see it through, the final half hour will blow your mind, and you will have seen one of the best (and most emotionally powerful) movies of 1996, maybe even the whole decade.
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