A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
Drama set in a repressed, deeply religious community in the north of Scotland, where a naive young woman named Bess McNeil meets and falls in love with Danish oil-rig worker Jan. Bess and Jan are deeply in love but, when Jan returns to his rig, Bess prays to God that he returns for good. Jan does return, his neck broken in an accident aboard the rig. Because of his condition, Jan and Bess are now unable to enjoy a sexual relationship and Jan urges Bess to take another lover and tell him the details. As Bess becomes more and more deviant in her sexual behavior, the more she comes to believe that her actions are guided by God and are helping Jan recover.Written by
Jonathan Broxton <email@example.com>
In a 2005 interview by Swedish journalist Stina Dabrowski, Lars von Trier said the following about the film (translated from original danish):
"I was determined to write a story that was so far-fetched and so full of clichés that no one could take it seriously, but of course the audience liked it. All you have to do is come up with something really stupid, and it will become a great success." See more »
(at around 7 mins) When Bess is in bed with her sister-in-law, the blanket is on, then off, Bess' shoulder. See more »
His name is Jan.
I do not know him.
He's from the lake.
You know we do not favor matrimony with outsiders.
Can you even tell us what matrimony is?
It's when two people are joined in God.
See more »
In the home video release of the film, the 8th chapter card is accompanied by Elton John's "Your Song", but in the theatrical release, that chapter card was accompanied by David Bowie's "Life On Mars". Most recent video releases (such as the Fox UK Region 2 DVD) use "Life On Mars." See more »
"Dogville" is one of my all-time favourite films, and the most disturbing film I've ever seen. I've wanted to see "Breaking the Waves" in quite a while, and recently I finally had the chance. Now I can't say which one is better. What a heartbreaking experience. Emily Watson had one of the best film debuts ever, and this is probably the most accomplished female performance I've seen since Julianne Moore in "The Hours". Actually, if I had to list 3 favourite female performances now, I'd mention Watson, Moore and Isabelle Huppert in "The Piano Teacher". Lars von Trier has a special talent to direct women: just remember Nicole Kidman's and Björk's remarkable performances in "Dogville" and "Dancer in the Dark", respectively.
"Breaking the Waves" tells the story of the pure Bess McNeill (Watson) and her unconditional love for Jan Nyman (Stellan Skarsgård), who is paralyzed after an accident at the oil-rig he works in. Then, Jan convinces Bess to have sex with other men and tell him the details of the sexual encounters, so he won't "forget" how to do it. Bess is determined to make Jan happy and to prove to God that she loves him, but she soon loses control of her actions. The storyline might sound absurd, but Von Trier isn't a joker and he takes us into a devastating journey. Katrin Cartlidge (1961-2002), an extremely gifted actress ("Naked", "Before the Rain", "Claire Dolan", "Career Girls", "Topsy-Turvy" and "No Man's Land") who died too young, delivers a captivating, discreet supporting performance as Dodo, Bess' loving sister-in-law.
I'd say "Breaking the Waves" and "Dogville" are opposite masterpieces: "Waves" being about love and goodness, "Dogville" being about hatred and evil, among other things, of course (nothing's easy or simple in Von Trier's universe). Both films are extremely dark and hard to watch, but "Waves" shows that Von Trier has faith in mankind. His detractors like to label him as a cynical atheist, but "Breaking the Waves" definitely proved me the opposite. Von Trier made a poignant epic about the struggle of an innocent, good-hearted woman who wants to do what God wants her to do (or, at least, what she thinks He wants her to do) and make her husband happy - even if she has to sacrifice herself for that. It's a leap of faith both for Bess and the watcher, who's got to decide if he's ready for such an experience. I wasn't disappointed at all. 10 out of 10.
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