Joe and Mary have been living together in Manhattan for six years. Joe is an actor, who has no agent and no thesping credits, but whose ambitions are very high. He works as a waiter at a ... See full summary »
Two untalented singers are mistaken for a pair of major league safe crackers in Providence, Rhode Island. The two are pressed into service by the local hoodlums and quickly find themselves ... See full summary »
A five year project involving filming on NYC subway. Camera observes people and events unaware they are being filmed. Emotional, intimate and deeply human. All done by director Tom DiCillo.... See full summary »
While working on a documentary on his old neighborhood, a young film school graduate shifts the focus of his production onto the disappearance of a local resident and the strange characters... See full summary »
Sam Henry Kass
A neurotic nebbish lives in 2 worlds: the fantasy of winning his dream-girl via a hit movie, and the meager existence he scrapes out from very odd jobs, such as thesping in an arty ... See full summary »
Al Fountain, a middle-aged electrical engineer, is on the verge of a mid-life crisis, when he decides to take his time coming home from a business trip, rents a car, and heads out looking for a lake he remembers from his childhood. But his wandering takes him into the life of Kid, a free-spirited young man who helps Al escape from the routine of everyday life and find freedom to enjoy himself.Written by
Mike Myers <firstname.lastname@example.org>
The video game being played by Al's son, Bobby, near the start of the film is the relatively obscure Ultra Vortek for the Atari Jaguar system. See more »
When watching wrestling and eating hot dogs with the Kid, Al's hot dog goes from half-eaten to him taking the first bite of it back to half-eaten depending on the camera angle. See more »
If you don't want to parade around in your wet underwear, you don't have to, Al. It's your choice. Each man can choose how he marches in the parade of life. Al Fountain - Wednesday, July 4, 1:05 PM.
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In a cut scene right before reaching Bambi's Bar, Kid tells Al that he wanted to join the Air Force after high school because they wanted him to be a test pilot. Al then sees a man walking backwards across the street. He asks Kid what he sees, and Kid confirms it. Kid pulls alongside the man at a stop sign, and asks why he's walking backwards. The man replies because he feels like it. Kid then tells him that if he does it in front of his car, he'll run over him. Kid screeches away from the stop sign and almost hits the man. See more »
DiCillo Takes Us On A Memorable Journey Of Discovery
We first meet Al Fountain (John Turturro) at a remote construction site in the country, where he is the foreman. Immediately, we recognize who and what he is: The Boss; obsessive and meticulous about the work, tenacious in regard to detail. At the same time, it is obvious that he is sorely lacking when it comes to his relationship with his crew. Not that he is a bad guy; neither overbearing nor abusive with his employees, he is, in fact, somewhat personable in his own way. It's just that everything in his vision is so clearly cut in black and white. In the world of Al Fountain there are absolutely no shades of gray. This is further established when he phones his wife and young son to check in and give her an update on the job. When he tells her that one of the guys has invited him to play poker that night (much to the chagrin of the rest of the crew), she is ecstatic and encourages him to go. Clearly, she loves him, but knows how he is. When he quizzes his son on his multiplication tables and the response is unacceptable, flash cards are ordered. When Dad gets home there will be another quiz. In a brilliant metaphor, we see the flash cards as they are perceived by the boy; they are huge, nearly as big as he is, Marley's chains he must carry wherever he goes without respite.
When the job is abruptly closed down, Al finds himself with some time to reflect on his life, which he uncharacteristically embraces, prompted by an incident at the poker game the previous evening. At this point the story really begins, and we follow Al on a drive through the country, which ultimately becomes a journey of self-discovery. Along the way he meets 'The Kid,' (Sam Rockwell), a charismatic, though somewhat naive young man who lives alone in the remnants of a trailer situated on a secluded parcel of land far off the beaten path. It is a lifestyle that Al, initially, simply cannot comprehend. When The Kid explains that he lives 'off the grid,' it is beyond anything Al can fathom. In the end, this movie is a textured tale of awareness and the importance of setting one's personal priorities. Extremely well presented and acted, it is touching and poignant without the unnecessary burden (in this case) of undue sentiment.
The supporting cast includes Catherine Keener, Lisa Blount, Annie Corley and Dermot Mulroney. In 'Box of Moonlight,' writer-director Tom DiCillo offers us a journey that is well worth the taking. I rate this one 9/10
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