In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
A tender love story set during a hot summer on a South-East London housing estate. Jamie, a relatively unpopular lad who bunks off school to avoid football, lives next door to Ste, a more popular athletic lad but who is frequently beaten up by his father and older brother. Such an episode of violence brings Jamie and Ste together: Sandra (Jamie's mum) offers refugee to Ste, who has to 'top-and-tail' with Jamie. Hence, the story tells of their growing attraction for one another, from initial lingering glances to their irrefutable love, which so magnificently illustrated at the end of the film. It deals with the tribulations of coming to terms with their sexuality and of others finding out, in light of Sandra's unwavering loyalty and defence of Jamie and the fear of repercussion should Ste's family find out. The plot is set against sub-texts of Sandra's desire to manage her own pub, and thus escape the estate, and of her new relationship with her hippy boyfriend Tony; and of Leah, the ...Written by
Mark Edwards <firstname.lastname@example.org>
The rainbow depicted early in the movie foreshadows to the nature of the movie. The gay community associates itself with the rainbow. See more »
The movie clearly states that it is the middle of the summer and supported by the fact that schools are still in attendance and the quote "It's the middle of the summer, its a heat-wave." However during the party scene, it is clearly dark outside but the clock on the wall as Jamie enters the house says 9:00. During British Summertime it would still very much be light at this time. See more »
You're pissed! From a bloody gay bar!
How do you know it's a gay bar?
Cos it's got a bloody great pink neon arse outside of it!
See more »
Once again, I am overwhelmed by the excellence of British film-making & acting. I truly bow to the British honing of the craft of acting, which is brilliantly presented in this film. Storyline aside, the acting of the mother "Sandra" is superb; you feel every emotion on her face as she struggles to make a better life for herself and her son, as well as accept her son's growing awareness of his own sexuality. Remarkably, she is my favourite character in this film, notwithstanding the performances of the 2 boys, who are superb. The boyfriend, Tony, is also wonderful as a supporting character. My favourite scenes are actually sequential: first, the shot of Sandra following the boys in a cab, as the shock & turmoil of her emotions is beautifully portrayed during this scene; second, the followup scene with the boys in the park, probably, for me, the most wonderfully innocent, beautiful and intimate scene in the film. I'm probably being silly; every scene in this beautiful film is a treasure and at triumph, for anyone who's ever been in love. I know I will treasure this film always.
25 of 26 people found this review helpful.
Was this review helpful to you?
| Report this