Basquiat tells the story of the meteoric rise of youthful artist Jean Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Basquiat becomes a star and a part of Andy Warhol's art world circle. But success has a price, and Basquiat pays with friendships, love, and eventually, his life.Written by
Martin Lewison <email@example.com>
Some of the footage that Basquiat is watching on old 8mm film are segments to what would become Scenes from the Life of Andy Warhol: Friendships and Intersections (1982). See more »
When Basquait gives Rene the "mostly brown coloured" painting he asks Rene the time and then writes down 'RENE5:11' on the painting. This addition to the painting keeps appearing and disappearing. See more »
Everybody wants to get on the Van Gogh boat. There's no trip so horrible that someone won't take it. The idea of the unrecognised genius slaving away in a garret is a deliciously foolish one. We must credit the life of Vincent Van Gogh for really sending this myth into orbit. I mean, how many pictures did he sell, one? He couldn't give them away. He has to be the most modern artist, but everybody hated him. He was so ashamed of his life that the rest of our history will be ...
[...] See more »
At the very end of the credits, a short clip showing a surfer riding on a wave is displayed. It's very similar to the surfing/wave shots that Basquiat keeps seeing whenever he looks up to the sky during the movie, but it's in full color instead of being blue-tinted. See more »
Why is it whenever a work comes out about an artist of a modern slant, there arrives the masses claiming their dogs might paint better...and how about the simple complaint that "they didn't show us what was going on in his mind..."
Hogwash. Art will always be in the eye of the beholder, and unless you hear it from the horse's mouth, nobody knows what is going on in the head of anyone else. Take a look at Julian Schnabel's most recent work "Before Night Falls," and subject it to the same analysis. The only reason we might know more about Reinaldo Arenas is because he wrote it down...the motives are not always as clear as we might hope to believe we have grasp of...
How about Jackson Pollack? How many of us know that the "Wizard of Oz," an apparently simple, innocent childhood fable, was actually a political statement of the author (and this is from the "horse's mouth")?
Take the film for what it is and don't spend your time looking for the boom mic to peek into shots or read Basquiat's mind and you might find it enjoyable. For the art critics out there, let us not pretend to understand the process unless you are somewhat of an artist yourself, okay. Because you cannot understand the motive does not change the fact it may exist on some other plane than we perceive. Okay, off of my soap box!
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