During the Second American Civil War in 2017, Barb Wire owns a nightclub called the Hammerhead. Things become complicated when her ex-lover Axel Hood, who is married to the fugitive Corrina Devonshire, re-enters her life.
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In the early 21st century, the USA is in the wake of the Second Civil War. The whole country is in a constant state of emergency. What was formerly called the American Congress now rules the country with fascistic methods. There is only one free city left, Steel Harbor, a coastal California industrial town which is headquarters for the resistance. This is the home town of Barb Wire, owner of the Hammerhead nightclub. As times aren't good, Barb has a second job. She's a bounty hunter and you probably wouldn't want her after you. Barb's credo is to never take sides for anybody and that's the only way to survive these days in the crime-ridden streets of Steel Harbor. One evening, her former lover Axel Hood appears at the club asking for a favor to help him and his lover Cora D flee the country to Canada, Barb suddenly finds herself to be key player on high political stage. Now she has to take sides.Written by
When Cora D and Axel are hiding in the back of the car and two people are driving them, the cops then pull in, surrounding them, and the car's wipers are clearly on. But later in the scene, between shots, the wipers are suddenly off. See more »
You don't have to buy me a drink, Axel. I'm tight with the management here. You've got a lot of nerve coming in here.
I had no choice. Where's Barb?
I don't think talking to Barb's going to be such a good idea. She took what went on in Seattle a lot better then I did.
I need her help, Charlie. I need her to put me in touch with the local resistance.
Haven't you heard? Barb's retired. Leave... now... before Barb sees you. There's no telling what she might do.
[...] See more »
A scene of an additional longer opening title sequence, which is just a longer video of Barb Wire dancing topless, following in the credits. See more »
Network TV version is heavily edited, where the opening credits are altered during the wet-and-wild sequence, especially where the semi-nude scenes (e.g. partial nipple exposure) are replaced with alternate shots. See more »
Wow. Now this is not good. However, the movie sets its level right away, by having a stripping, dancing wet Barb (Anderson) already in the introduction of the movie. So, there you have what this movie is all about. Sure you get some violence, explosions and bad costumes as a bonus. Clearly, there is no relevant story in the movie, all revolves around (Barb) to show her off in different ways. The mentioned costumes are almost offending to the audience. Whoever responsible for them clearly did not work very hard. Barb competes with herself to wear some leather-thing that shows off as much as possible, but actually must be considered well dressed as compared to other ladies. The villains wear something that bear a striking resemblance to nazi-uniforms. Well sure, we know who's the bad guys, thank you. And some other people wear broken calculators and other piece of machinery that you'll find in a scrap-heap as hats, and are automatically dressed up like guys from the future. If it was this easy to make a good movie, I could have made it myself. Fortunately it is not, and Barb Wire is not a good movie.
But, and this is a mysterious but, I actually didn't get bored out of my mind and switched off. The movie actually, in some way, had some small piece of entertainment value throughout that made me stay. And that something, whatever it was, is what ultimately saves the movie from being complete junk.
So, if you have absolutely nothing else to do, you may want to watch this one, once. You may get some ideas how to (or not to) dress for the next masquerade.
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