During the Second American Civil War in 2017, Barb Wire owns a nightclub called the Hammerhead. Things become complicated when her ex-lover Axel Hood, who is married to the fugitive Corrina Devonshire, re-enters her life.
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In the early 21st century, the USA is in the wake of the Second Civil War. The whole country is in a constant state of emergency. What was formerly called the American Congress now rules the country with fascistic methods. There is only one free city left, Steel Harbor, a coastal California industrial town which is headquarters for the resistance. This is the home town of Barb Wire, owner of the Hammerhead nightclub. As times aren't good, Barb has a second job. She's a bounty hunter and you probably wouldn't want her after you. Barb's credo is to never take sides for anybody and that's the only way to survive these days in the crime-ridden streets of Steel Harbor. One evening, her former lover Axel Hood appears at the club asking for a favor to help him and his lover Cora D flee the country to Canada, Barb suddenly finds herself to be key player on high political stage. Now she has to take sides.Written by
The entire "Don't call me, Babe" leitmotif of Barb Wire comes from the original advertising for the Barb Wire Dark Horse comic book, in which she said those words to differentiate herself from a buxom, slightly airy comic book heroine named Babe by John Byrne. See more »
When Barb rappels down the wall on a rope after rescuing the girl, before they go out the window, you can see Pamela Anderson's roots showing, where she hadn't colored her hair. In the next scene, viewed from above, it is obviously a stunt person wearing a blonde wig, as there are no roots showing. See more »
A scene of an additional longer opening title sequence, which is just a longer video of Barb Wire dancing topless, following in the credits. See more »
Unrated version is slightly longer, where Pamela Anderson Lee is partially topless during the opening credits. Several of the partially topless scenes are taken from the "sexy outtakes" extra scene and re-edited into the opening credits. See more »
Feed her after midnight, get her wet, but, whatever you do, don't call her "Babe"!
Pamela Anderson Lee will certainly never be mistaken for a talking pig, especially in the outfits she gets to wear in Barb Wire. Pamela has cascading blonde hair down to there, acres of cleavage and plenty of clingy leather getups cut up to here. If you get distracted and call Ms. Wire the dreaded "B" word, you may find yourself dealing with her nasty-tempered Rottweiler, Camille, a sidekick with bite. This highly anticipated comic-book action/adventure, starring the pinup star of Baywatch, lasted only a short time in theaters before going bust, so to speak. I'm sure the backers couldn't care less, as their investment was made back in advance by tremendous worldwide sales. Barb Wire was sold on the star's face and form long before there was a story concept or anything resembling a script. Good thing, too. Yes, the futuristic plot does bear some parallels to Casablanca, but the family resemblance is strictly skin-deep. Barb is a nightclub owner who helps an old flame, now a freedom fighter, and his wife escape from a corrupt police official and some neo-Nazi types. Of all the gin joints in the world, Axel had to walk into Barb's. Barb has just been hosed down while performing a torrid dance onstage and is feeling, well, charitable. The movie gets off to a pretty good start, with tongue well in cheek, but grows wearisome when it forgets to laugh at itself. The explosions, shoot-outs and chases are eventually numbing. Must say, however, I did love the death-by-spike-heel scene which comes early on. Steve Railsback, as the head meanie, Colonel Pryzer, comes across as Tommy Lee Jones-lite. Ms. Anderson Lee, as Barb the Buxom, is game, however, firing oversized weapons and kicking fanny without mussing her makeup. Too bad they couldn't afford some better wigs for her stunt doubles.
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