The Arrival (1996)

Zane, an astronomer, discovers intelligent alien life. But the aliens are keeping a deadly secret, and will do anything to stop Zane from learning it.

Director:

David Twohy

Writer:

David Twohy

Stars:

Charlie Sheen, Lindsay Crouse, Richard Schiff

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Charlie Sheen	...	Zane Zaminsky
Lindsay Crouse	...	Ilana Green
Richard Schiff	...	Calvin
Shane	...	JPL Guard #1
Ron Silver	...	Phil Gordian / Mexican Guard
Teri Polo	...	Char
Phyllis Applegate	...	Mrs. Roosevelt
Alan Coates	...	Terraformer
Leon Rippy	...	DOD #1
Buddy Joe Hooker	...	DOD #2
Javier Morga	...	Co-worker
Tony T. Johnson	...	Kiki
Catalina Botello	...	N.C.A.R. Woman
Georg Lillitsch	...	Computer Tech
David Villalpando	...	Cabbie

Storyline

Zane (Charlie Sheen), a young, mild-mannered astronomer discovers an extraterrestrial radio signal. After being fired from his organization for reporting this to his superior, he takes a chance on discovering the truth: that his workplace is not quite what it seems to be and a sinister conspiracy is at work. The aliens are keeping a deadly secret, and will stop at nothing to prevent Zane from learning it.

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Plot Keywords:

alien | conspiracy | alien invasion | broadcast signal intrusion | oasis in the arctic | 

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Taglines:

The greatest danger facing our world has been the planet's best kept secret...until now.

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Genres:

Mystery | Sci-Fi | Thriller

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Certificate:

PG

Did You Know?

Trivia

This movie and Independence Day (1996) both deal with hostile aliens from another world, and both came out in theaters in 1996. Twenty years later, Independence Day: Resurgence (2016) and Arrival (2016) were released, although the latter has no connection with The Arrival (1996) beyond a similar title and dealings with extraterrestrials.

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Goofs

When Zane and Ilana are talking about the climate changes in San Marsol Zane has a flashback of the presentation that he had crashed earlier at JPL, however he should not have heard the part about the melting polar ice because he was already removed from the room by two security guards.

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Quotes

Zane Ziminski: I come to you with what may be the preeminent discovery of the 20th century, the possibility of extra-solar life, and I get shit-canned for it?

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Connections

Followed by The Arrival (1997)

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Soundtracks

Teque
Written by Barbara L. Jordan, Eddie Ruperto, and Christopher Rhyne
Performed by Eddie Ruperto

User Reviews

The first sign of proof that David Twohy is the next John Carpenter.

*** 1/2 out of ****

Writer/director David Twohy accomplished the near-impossible in the summer of 1996; he delivered a fun, fast-paced AND intelligent sci-fi thriller with The Arrival, an intriguing, thought-provoking film that was unfairly ignored in theaters at the time of its release (most viewers chose to see Twister, M:I, Independence Day). The movie has a classic premise about a radio astronomer (Charlie Sheen) who receives a signal from outer space that may or may not have come from extraterrestrial life.

To say anymore would be unforgivable, as Twohy packs in believable twists and turns throughout the plot, which is fun without insulting the brain, and complex without ever bogging down in mind-numbing confusion. The script does have a few head-scratchers here and there (I was particularly miffed that Lindsay Crouse's character, an environmentalist, wasn't familiar with the concept of terraforming) and some contrivances, but they're hardly bothersome and aren't noticeable until a second viewing.

As good a screenwriter as Twohy is, he's even more adept as a director (further proven by Pitch Black, a superbly crafted deep-space thriller with a script not even half as smart as The Arrival's). With great pacing and precise editing, Twohy builds momentum with each discovery Sheen unfolds, until it culminates to an edge-of-the-seat climax that's quite satisfying (unlike...cough...cough..."V: the Final Battle", Independence Day).

The cast is all-around effective, with Sheen delivering a surprisingly terrific performance as the paranoid astronomer. It's great to see an intelligent protagonist who thinks his way out of tight jams, rather than shooting and blowing up everything in sight. No one else gets half of Sheen's screentime, but Ron Silver is nicely ambiguous as his boss, and Teri Polo, however underused, is fine as Sheen's girlfriend. Lindsay Crouse also makes a good impression as an environmentalist studying some strange activity.

On a technical level, some sci-fi fans might be a little disappointed. Those weaned on "V" and ID4 will notice the lack of large-scale special effects. Sorry, no disc-shaped motherships here. Still, the visuals present are mostly decent, certainly passable enough that they don't become a distraction to the plot. Despite the use of CGI in its more primitive stages (this was '96, after all) the effects are still occasionally excellent and imaginative, such as the spherical object those tight-lipped men wield. Composer Arthur Kempel's score adds a bit more tension to the already excruciating suspense, and evokes a creepy atmosphere during the film's quieter moments.

Remember, folks, The Arrival is a rarity, a once in a while example of how pure movie magic can be created when we've got dedicated filmmakers who want to intrigue the audience rather than catering to demographics just for the sake of box office returns. Forget Independence Day, The War of the Worlds, or V and its sequel, The Arrival is the most satisfying cinematic depiction of alien invasion to date.

Details

Official Sites:

Vidio [Indonesia]

Country:

USA Mexico

Language:

English Spanish

Release Date:

31 May 1996 (USA)

Also Known As:

L'avènement

Filming Locations:

1189 N Wilson Avenue, Pasadena, California, USA

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$4,806,763, 2 June 1996

Gross USA:

$14,063,331

Cumulative Worldwide Gross:

$14,063,331

Company Credits

Production Co:

Live Entertainment, Steelwork Films, Mediaworks

Technical Specs

Runtime:

115 min

Sound Mix:

Dolby Digital SDDS

Color:

Color Color (Technicolor)

Aspect Ratio:

1.37 : 1