As the LEXX and its crew flee towards the centre of the rapidly disappearing universe, they encounter a theatre that seems to exist outside of time and space and is thus impervious to the encroaching...
Tripping the Rift is a CGI science fiction comedy television series. The universe is modeled largely after the Star Trek universe, with references to "warp drive" and "transporter beam" ... See full summary »
A modern revival of the classic science fiction horror anthology show The Outer Limits (1963). Episodes often have twist-endings and involve aliens. Sometimes, a story from one episode continues in a later episode.
Hale, an American astronaut dies and is reincarnated with other persons who have lived throughout all of human history and end up on a mysterious planet called 'Riverworld'. The humans are ... See full summary »
When a full-scale war is engaged by the evil Scarran Empire, the Peacekeeper Alliance has but one hope: reassemble human astronaut John Crichton, once sucked into the Peacekeeper galaxy ... See full summary »
In the mid 23rd Century, the Earth Alliance space station Babylon 5, located in neutral territory, is a major focal point for political intrigue, racial tensions and various wars over the course of five years.
The tyrants who rule the Light Universe pass their essence onto their successor upon their demise, while their still-conscious brains are kept in a vault; their chief resource is The Lexx (Tom Gallant), the most-powerful mobile weapon in the universe, which can only be commanded by the keeper of the hand-key. The previous incumbent wiped out the Brunen-G race, except for Kai (Michael McManus), who he kept in a state of amnesiac suspended animation, to be revived by proto-blood for short periods, and used as an assassin. Into this background comes anti-hero Stanley H. Tweedle (Brian Downey), an ignored non-entity clerk, who misses an appointment and is branded a criminal. In the dungeons, overweight Zev (Eva Habermann) has been convicted of not fulfilling wifely duties, and is being transformed into a gorgeous, svelt love-slave. Meanwhile, captured terrorist Thodin (Barry Bostwick), due for public execution, escapes with his gang's help, and causes chaos, setting into motion Tweedle's ...Written by
Cynan Rees <email@example.com>
All Universes, characters depicted, names used, and incidents portrayed in this film are fictitious. No identification with actual persons is intended nor should be inferred. Blah, blah, blah-- See more »
Episodes of season 4 which have a more mature adult theme was only shown once in Canada and never repeated again, not even in syndication. See more »
After so many other scifi shows that can't ever seem to get away from earth-based humans as the main backdrop, we have a completely new and original universe with a refreshing lack of moral conviction as a basis for plot building. In fact, the twisted irony of cosmic justice never quite prevails in the coolest blend of both tragedy and comedy I've ever witnessed. Of course the graphics are awesome, makes American made Trek look pretty pale, and the bad guy beats Vadar fingernails down. Theater students will find this show particularly appealing, especially as the series develops. The makeup, costuming, and set design are as refreshingly original as the story. Music students will be captivated by the soundtrack, which manages to sound entirely alien (from humans) in a lonely and hostile universe without sounding anything like the typical human interpretation of alien. I'm also fond of warship/spaceship construction-- I would LOVE to have a Lexx of my own! One more thing: inventing an entirely new and different cultural history is no small feat, and the energy that went into this film only comes from the best of the best. An entire universe hangs on the coolest twist of ironic fate, not on some slick protocol in a bureaucratic federation or an enraged teen with a lightsaber. And a lot of it is subtle. It's not all patly spelled out for you. Enjoy the ride!
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