Dead Man's Walk

While the previous comments praise the actors' style and likeness in terms of their forebears (Jones and Duvall), this movie is a pleasure to watch by way of the incredible scenery and the presence of several veteran character actors like Harry Dean Stanton, Keith Carradine, and the always awesome, Edward James Olmos. Fans of "O Brother Where Art Thou" will be pleased to see Ray McKinnon and Tim Blake Nelson featured prominently. I also noticed all of the previous comments were written by Yankees, so I might point out that the landscapes are a bit flawed (albeit beautiful) in terms of Texas-New Mexico geography. I've been to all of the places described in the book... believe me, most of West Texas is flatter than they let on! The sunsets are accurate, as are the rocky buttes, but they're using the Davis Mountains of the Big Bend region as the backdrop for most of the film, and that's a bit of a stretch. If you ever want to see some of the most beautiful scenery in West Texas, visit there sometime. The real places they traveled weren't always so pretty. I found that the actors didn't seem to be struggling for food and water as much as the characters in the book. Survival (man vs. nature) is a big part of the novel, and doesn't feature too prominently here. I kept getting hungry and thirsty while reading it! McMurtry mixes in a lot of real events with the narrative. You might think this stuff is fiction... it's not! Bigfoot Wallace was a real character and was known to have done many of the things this character experiences. The real Bigfoot survived to tell the tales as a seasoned old fart. The Santa Fe expedition is real.. and what happens to them is real. The Comanches as the lords of the plains? You bet! The were the kings of the Llano Estacado for 200 years. Buffalo Hump was real Comanche chief... his real name, Hard Penis, was too much for 19th century Texans so they gave him the new moniker. The descriptions of torture? McMurtry uses real sources.. he doesn't have to make this stuff up to be shocking... it really happened! The timeline is a bit compressed for drama, but the Texans of the 1840's lived this stuff. The Black Bean drawing is also real, but it happened in Saltillo Mexico and 17 guys drew black.

For a dose of Texas History, you can't beat Dead Man's Walk. Read the book! But don't be afraid to read James Haley's "Texas: From Frontier to Spindletop". It's the real deal and includes just as much gore, drama, and adventure.

I've watched this movie about 4 times, and really enjoyed the personifications of these historic characters (albeit apocryphal).

Johnny Lee Miller and David Arquette are very convincing as Gus and Woodrow. The most memorable performance is easily that of Keith Carradine. He portrayed Bigfoot Wallace, a larger than life frontiersman, who actually outlived the firing squad at Saltillo, in a clever, poetic and humorous way. The only downer of the movie, is the same with any and all Larry McMurthy films: they're depressing as hell! Death, tragedy and sufferin'! And as with all of his films, the conquering will of the human spirit shines through. A fine example of a Western film.

In this prequel to "Lonesome Dove" based on the book by Larry McMurtry, we find a young Woodrow Call and Augustus Macrae just starting out as Texas Rangers and beginning to become men.

David Arquette is fantastic as the young Macrae and really captures the gestures and mannerisms that Robert Duvall put too such good use in Lonesome Dove. I was very impressed with his performance and had no trouble believing that he was the young Gus Macrae.

Johnny Lee Miller does not fare as well as the young Woodrow Call and it is hard to believe that this is the character that Tommy Lee Jones played in the original as there is little that ties their acting styles to the same role.

Visually, this is quite well done and comes the closest to Lonesome Dove in grittiness and open plain shots. The young Rangers are surrounded by eccentric characters played with great aplomb by the likes of Brian Dennehy, F.Murray Abraham, Keith Carradine, Harry Dean Stanton and Edward James Olmos.

Strong acting throughout and a crackling good story hilight this worthy sequel and it makes a fine addition to the lore that is Lonesome Dove.

Some things are best left imagined, no?

The real reason this was made at all and secured such a broad canvas (4 hours) is that we were eager to revisit these people, Gus and Woodrow from Lonesome Dove.

The story is that they join up with a hopeless filibustering expedition to annex Santa Fe, the film mirrors the exhaustion, aimlessness, dashed dreams on no man's land. The tone is darker—there is scalping, torture, lepers. Young Gus and Woodrow are narrowly reduced to caricature, which is bound to disappoint, but they are mostly side-characters on the journey.

But Lonesome didn't just have the endless expanses of sky and prairie, the riding and shooting. Embedded in that was a richer journey of memory and dying, a whole mess of life already folded in and centered on the vision of women. What's more, it was the true article of myth, the eulogy a mid-19th century woman like Clara would seek in a Whitman poem.

Here, we just drag our feet through the desert and the women (the same women) are tacked on in the beginning and end.

The author of the book "Dead Man's Walk" also wrote the screenplay for this film, which is obvious when one sees how closely the film adheres to the book. Although I have read the book in question, it didn't curtail my enjoyment of the movie.

One notices how closely the young actors portraying Gus McRae and Woodrow Call (David Arquette and Johny Lee Miller) resemble older versions of the same characters as actualized by Robert Duvall and Tommy Lee Jones. My guess is that making that resemblance a fact was of paramount importance to the filmmakers, as the primary audience for "Dead Man's Walk" has already seen "Lonesome Dove" and would be disappointed if Arquette's performance didn't recall Duvall's and Miller's work wasn't reminiscent of Jones'.

Although it may have been primarily a marketing decision, the strong resemblance between young and old Gus and Call works for me and, oddly enough, binds the two miniseries together.

May we now see a miniseries based on McMurtry's second prequel, "Comanche Moon"?