To vlemma tou Odyssea (1995)

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Director:

Theodoros Angelopoulos (as Thodoros Angelopoulos)

Writers:

Theodoros Angelopoulos (screenplay) (as Thodoros Angelopoulos), Kaii Tsitseli (dialogue translation)

Stars:

Harvey Keitel, Maia Morgenstern, Erland Josephson

11 wins & 7 nominations.

Cast

Cast overview, first billed only:
Harvey Keitel	...	A
Erland Josephson	...	Library Curator
Maia Morgenstern	...	Kali
Thanasis Vengos	...	Taxi Driver
Giorgos Mihalakopoulos	...	Nikos
Dora Volanaki	...	Old Woman
Mania Papadimitriou	...	Mother
Giorgos Konstas	...	Father
Thanos Grammenos	...	Manakias' Assistant
Alekos Oudinotis	...	Greek Film Library Manager
Angel Ivanov	...	Bulgarian Interrogator (as Angel Ivanof)
Ljuba Tadic
Vaggelis Liodakis
Gert Llanaj	...	Little Boy
Agni Vlahou

Storyline

A, a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist? If so, where are they? - "Why A? It's an alphabetical choice. Every filmmaker remembers the first time he looked through the viewfinder of a camera. It is a moment that is not so much the discovery of cinema--but the discovery of the world. But there comes a moment when the filmmaker begins to doubt his own capacity to see things, when he no longer knows if his gaze is right and innocent." --Theo Angelopoulos

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Plot Keywords:

male nudity | male frontal nudity | balkans | symbolism | sarajevo | 

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Genres:

Drama | War

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Certificate:

Unrated

Details

Country:

Greece France Italy Germany UK Federal Republic of Yugoslavia Romania Albania Bosnia and Herzegovina

Language:

English Greek Bulgarian Albanian Serbian Romanian Kurdish Macedonian German

Release Date:

1 November 1997 (USA)

Also Known As:

Ulysses' Gaze

Filming Locations:

Korce, Albania

Box Office

Gross USA:

$42,202

Company Credits

Production Co:

Greek Film Center,Mega Channel,Paradis Films

Technical Specs

Runtime:

176 min

Sound Mix:

Dolby Digital

Color:

Black and White Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

(At around ten minutes) A woman is singing a famous mourning song in Kurdish, called "Ahmade Mala Musa (Ahmad of Musa family)".

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Quotes

A: Good night, good night... Parting is such sweet sorrow... that I shall say good night, till it be tomorrow... sleep dwell upon thine eyes, peace in thy breasts... would I were sleep and peace, so sweet to rest... Hence will I to my ghostly father's cell... his help to crave, and my dear hap to tell!

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Connections

Featured in In the Shadow of Hollywood (2000)

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Soundtracks

Ohi de horizomaste
Folk Song

User Reviews

Another approach to the language of cinema.

Somebody once said that DW Griffith is to blame for having a wide open horizon, full of possibilities, and settling for melodrama as the blueprint of the movie-going experience.

However, once in a long while, a film comes along that breaks the mold and shows us once again what can be done. Glimpses only, hints at untapped potential. "2001: A Space Odyssey" is one such example. Fellini's "Satyricon" is another. "Solaris" by Tarkovsky. And so is "Ulysses' Gaze". There are more.

I like to be challenged, even as I enjoy some standard Hollywood fare. I like to be shaken up with the promise of a nudge towards enlightenment. I love to feel awakened from my everyday, sleepwalking mode.

Granted, "Ulysses' Gaze" is NOT for everyone. But to dismiss this film as "another one of those art films", to call it bloated, is an exercise in laziness. And to condemn Angelopoulos of arrogance, well, how about considering the terms confidence and conviction instead? I do not pretend to understand "Ulysses' Gaze", the film is so riddled with ambiguities and leaps back and forth into the realm of the subconscious and the surreal. I just allow myself to go with the flow, and regard a world that is so outside of the grid that it is like watching a transmission from another planet, with real people I identify, sharing genuine affection in small gestures. And even though the English dialogue is lacking at times, there is not a single one of those "Hallmark moments" that seems to pervade in contemporary Hollywood fare.

As for the prolonged landscape scenes, they show parts of the world (Albania, Bulgaria) that are as unknown to me as the bottom of the ocean. If just for this alone, I am hypnotized.

To make the effort, to absorb "Ulysses' Gaze", is a small step towards understanding the ruthless, constant plight of the people of that small corner of the world that is the Balkans. Just one small corner. Imagine.

I have to say that "Ulysses' Gaze" is an incredible film, one of a few by which XX century's great cinema should (and will) eventually be regarded.