The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him.Written by
Murray Chapman <firstname.lastname@example.org>
According to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped, because he felt an interracial love scene would hurt the film's box-office chances. See more »
During the chase which leads into the final fight between Barnes and Sid, Barnes randomly gets a nosebleed before even being touched, right before climbing up the stairs at Sid. See more »
At the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/) See more »
Despite the "Not under 18" rating, the German video version is heavily edited to reduce violence. The uncut version is available only on DVD (it was approved by the juristic commission of the Head Organization of the German film industry (SPIO)). See more »
The first great film for Russell Crowe, and a very interesting film to say the least. Cyber culture is rarely ever depicted in movies, but this was one of those films which brought some of these underground tendencies to light. What was even more interesting was how evil Sid 6.7 was. Crowe did an excellent job of portraying the demented cyber villain. I especially liked Denzel Washington, who always manages to be believable in his role when he doesn't try to be a soul brotha.' Granted, the cinematography was pretty average as well as the music, but then again, the performance of the two main stars really made this film a winner.
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