A ship sails into Brooklyn with all its crew dead. But something gets off and the killing continues on land. The vampire is looking for a specific woman - half-human, half-vampire. Rita's the cop detective investigating the many killings.
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and, as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a woman who had a vampire father, and he searches for her in Brooklyn. Rita's mother, who has died in an asylum, was that woman and Rita has nightmares that she does not understand. Not knowing that she is part-vampire, Max woos her and attempts to bring her to her bloodsucking destiny. Even though Rita has strange dreams and actions, Justice, her partner, has feelings for her and does not want her involved with this stranger Max. But it is Rita who must decide her destiny.Written by
Tony Fontana <firstname.lastname@example.org>
In a November 2011 interview with "Rolling Stone", Eddie Murphy stated that he made this movie for one reason: Paramount agreed to release The Nutty Professor (1996)'s rights in exchange for finishing his deal with the studio. Murphy also said that the wig his character wore was so awful it immediately made people despise the film. See more »
The cross impression on the lady cop's neck changes between shots. See more »
[Julius is escorting Max around the streets in his limo]
Hey, Max, let me ask you something. Why didn't you just bite this bitch when you had a chance?
It doesn't work that way. She has to give herself to me voluntarily.
Hey, this is Brooklyn, baby. Don't nobody give up shit unless you got some cold cash or a hot slug for their ass.
In this case, I know a lot more about her than she knows about herself. One dance with me, one dance, and she'll be mine
Oh, see now, yeah, yeah. Now you're ...
[...] See more »
When Eddie Murphy did movies like Trading Places, and Beverly Hills Cop, he was cool because he was funny. With movies like this Murphy is trying to be cool before he is being funny. there is very little comedy in this movie, and if the movie is trying to be modern in vogue it really doesn't succeed at that either. Murphy does a fair job as a Caribbean vampire in Brooklyn looking for a soulmate. The movie does not have enough of his crazy characterizations, nutty characters, and all around goofy comedy. The movie was so disappointing because I thought this was going to be extremely funny. Why wouldn't Eddie Murphy make this movie like he did Beverly Hills Cop? Not take the movie so seriously? The movie had a very dark tone, and that would have worked, because it could make for more subtle Eddie Murphy comedy, but Murphy attempts so few jokes here, there is so little opportunity for him to try and be funny. The movie seems like a grand experiment that falls on it's face. But it was so easy to make this movie funny, just have his characterizations and good one liners applied to a very unusual vampire movie, don't worry about being cool. Movies used to be so natural for him in the eighties, but it was a different time. He was still funny then and he could be now. Angela Bassett does a pretty good job as a cop in search of Murphy, but really can't save this movie, it's just so awkward, it doesn't know whether it wants to be a horror flick a love story or a comedy. It tries to be all three and succeeds at none.
But overall this movie was a disappointment, something that could have been great but was mediocre. Murphy overall struggled in the nineties, and this is a classic example why, instead of being funny in his movies he tries too hard to be cool and it doesn't work. Murphy needs to remember he was funny because he applied his unique sense of humor to films, he needs to have his own band of movie instead of trying to produce someone else's style of comedy. Stick with Beverly Hills Cop or 48 Hours, where he is at his best and he is Eddie Murphy, the one we all know and love. Hours to see Murphy at his best.
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