In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
An intense film about time travel, this Sci-Fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth's population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army ...
A tagline originally suggested for this film was: "The future is in the hands of a man who has none." This was considered to be a confusing tagline, as it made it sound as though he had no hands, as opposed to having no future. See more »
Young James Cole has a scar that runs horizontally almost the entire length. The adult James has no such scar. Some scars acquired as a child may disappear later in life. I had a scar at age 17 and now at 62 is gone. Another scar acquired at age 11 was originally about 3 inches long but is now only about 3/4" long. The section that remains was the most significant part of the injury. See more »
Jose - psst! Jose, what's going on?
Bad news, man
Yeah. And they said your name.
Hey, maybe they'll give you a pardon, man.
Yeah, that's why none of the volunteers come back. They all get a pardon.
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The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »
I had the privilege of seeing this film at a preview screening years ago, and outside the theater I was confronted by a camera crew from a local TV station looking for comments on the film. At the time, the only words that escaped my mouth were "Awesome. Just awesome." I like to think I can articulate myself a little better than that, but at the time I was somewhat incapable of doing so.
The story is intriguing and thought provoking, and the acting is first rate from all the principals. This film was the first one that Terry Gilliam directed that he didn't have a hand in the writing credit for. Back with Universal after his long, arduous battle with them over "Brazil", Terry had achieved what he wanted most; the "final cut". Terry is a master craftsman, and each shot is like a beautifully conceived painting that has been constructed carefully with determination and conviction. It is only justice that such an individual should be unfettered in his attempts to convey a concept. Unfortunately, limitations still exist in such arrangements.
The Universal Collector's Edition DVD of this film is simply amazing, although most of the bonus features aren't listed on the box. It contains among other things, a director/producer audio commentary and an informative and extremely interesting 90 minute documentary on the making of the film called "The Hamster Factor and Other Tales of 12 Monkeys". It tells of some of the creative pitfalls in filmmaking, including a test of mettle when preview screenings tested poorly, striking the team with feelings of self-doubt and despair. Fortunately, for all of us, they decided to change very little about the film and released it to an enormous success.
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