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Twelve Monkeys (1995)

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

Director:

Terry Gilliam

Writers:

Chris Marker (film La Jetée), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
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Nominated for 2 Oscars. Another 10 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joseph Melito Joseph Melito ... Young Cole
Bruce Willis ... James Cole
Jon Seda ... Jose
Michael Chance Michael Chance ... Scarface
Vernon Campbell Vernon Campbell ... Tiny
H. Michael Walls H. Michael Walls ... Botanist
Bob Adrian ... Geologist
Simon Jones ... Zoologist
Carol Florence Carol Florence ... Astrophysicist / Jones
Bill Raymond ... Microbiologist
Ernest Abuba Ernest Abuba ... Engineer
Irma St. Paule Irma St. Paule ... Poet
Madeleine Stowe ... Kathryn Railly
Joey Perillo ... Detective Franki
Bruce Kirkpatrick Bruce Kirkpatrick ... Policeman No. 1
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Storyline

An intense film about time travel, this Sci-Fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth's population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army ...

Plot Summary | Plot Synopsis

Taglines:

The future is history. See more »


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French

Release Date:

5 January 1996 (USA) See more »

Also Known As:

12 Monkeys See more »

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Box Office

Budget:

$29,000,001 (estimated)

Opening Weekend USA:

$14,200,000, 7 January 1996

Gross USA:

$57,141,459

Cumulative Worldwide Gross:

$168,839,459
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS-Stereo | DTS | Dolby SR

Color:

Color (Rankcolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When Cole is drawing blood from himself, the shadow of a hamster in a hamster wheel can be seen on the wall. This scene would normally be shot in 5 minutes, but took a whole day because the hamster would not move, and Terry Gilliam is such a perfectionist, that he insisted that even this detail should work as intended. For the rest of the production, Gilliam's perfectionism was nicknamed "The Hamster Factor". See more »

Goofs

When James Cole returns from his first trip to the past and is in his cell, he no longer has the bloody wound on his head that he received from his scuffle with the police in 1990. However, when he is being debriefed by the scientists in the next scene, the head wound is back. See more »

Quotes

[first lines]
James Cole: Jose - psst! Jose, what's going on?
Jose: Bad news, man
James Cole: Volunteers?
Jose: Yeah. And they said your name.
[pause]
Jose: Hey, maybe they'll give you a pardon, man.
James Cole: [sarcastic] Yeah, that's why none of the volunteers come back. They all get a pardon.
See more »

Crazy Credits

The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »

Connections

Referenced in The Oprah Winfrey Show: Summer Movie Reviews (1996) See more »

Soundtracks

Piano Concerto No. 21 In C Major, K.467
(uncredited)
Written by: Wolfgang Amadeus Mozart
See more »

Frequently Asked Questions

See more »

User Reviews

 
Full of Gillian-isms, Empty of Willis-isms - in a good way...
23 November 2006 | by j30bellSee all my reviews

There is a story (possibly apocryphal) about an exchange between Bruce Willis and Terry Gilliam at the start of Twelve Monkeys. Gilliam (allegedly) produced a long list (think about the aircraft one from the Fifth Element) and handed it to Butch Bruce. It was entitled "Things Bruce Willis Does When He Acts". It ended with a simple message saying: "please don't do any of the above in my movie".

There is a fact about this movie (definitely true). Gilliam didn't have a hand in the writing.

I would contend that these two factors played a huge role in creating the extraordinary (if not commercial) success that is The Twelve Monkeys.

Visually, the Twelve Monkeys is all that we have rightly come to expect from a Gilliam film. It is also full of Gilliamesque surrealism and general (but magnificent) strangeness. Gilliam delights in wrong-footing his audience. Although the ending of the Twelve Monkeys will surprise no one who has sat through the first real, Gilliam borrows heavily from Kafka in the clockwork, bureaucratic relentless movement of the characters towards their fate. It is this journey, and the character developments they undergo, which unsettles.

I love Gilliam films (Brazil, in particular). But they do all tend to suffer from the same weakness. He seems to have so many ideas, and so much enthusiasm, that his films almost invariably end up as a tangled mess (Brazil, in particular). I still maintain that Brazil is Gilliam's tour de force, but there's no denying that The Twelve Monkey's is a breath of fresh air in the tight-plotting department. Style, substance and form seem to merge in a way not usually seen from the ex-Python.

Whatever the truth of the rumour above, Gilliam also manages to get a first rate (and very atypical) performance out of the bald one. Bruce is excellent in this film, as are all the cast, particularly a suitably bonkers - and very scary - Brad Pitt.

It's been over a decade since this film was released. When I watched it again, I realised that it hadn't really aged. I had changed, of course. And this made me look at the film with fresh eyes. This seems to me to be a fitting tribute to a film that, partly at least, is about reflections in mirrors, altered perspectives and the absurd one-way journey through time that we all make. A first rate film. 8/10.


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