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Twelve Monkeys (1995)

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

Director:

Terry Gilliam

Writers:

Chris Marker (film La Jetée), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
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Nominated for 2 Oscars. Another 10 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joseph Melito Joseph Melito ... Young Cole
Bruce Willis ... James Cole
Jon Seda ... Jose
Michael Chance Michael Chance ... Scarface
Vernon Campbell ... Tiny
H. Michael Walls H. Michael Walls ... Botanist
Bob Adrian ... Geologist
Simon Jones ... Zoologist
Carol Florence Carol Florence ... Astrophysicist / Jones
Bill Raymond ... Microbiologist
Ernest Abuba Ernest Abuba ... Engineer
Irma St. Paule Irma St. Paule ... Poet
Madeleine Stowe ... Kathryn Railly
Joey Perillo ... Detective Franki
Bruce Kirkpatrick Bruce Kirkpatrick ... Policeman No. 1
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Storyline

An intense film about time travel, this Sci-Fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth's population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army ...

Plot Summary | Plot Synopsis

Taglines:

They're Coming. See more »


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French

Release Date:

5 January 1996 (USA) See more »

Also Known As:

12 Monkeys See more »

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Box Office

Budget:

$29,000,001 (estimated)

Opening Weekend USA:

$14,200,000, 7 January 1996

Gross USA:

$57,141,459

Cumulative Worldwide Gross:

$168,839,459
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS-Stereo | DTS | Dolby SR

Color:

Color (Rankcolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Although never stated in either the film itself or the screenplay, according to the newspaper clippings on the wall in the Scientists' underground headquarters, the virus that wipes out most of mankind in called "CZT". See more »

Goofs

When Dr. Leland Goines is tied up in the van and blindfolded with the biohazard ribbon, the ropes he is tied up with disappear and reappear between shots. Also in the final close-up a magnifying glass appears in his jacket pocket. Also the tape moves from his forehead to his hair and back again in every shot See more »

Quotes

[first lines]
James Cole: Jose - psst! Jose, what's going on?
Jose: Bad news, man
James Cole: Volunteers?
Jose: Yeah. And they said your name.
[pause]
Jose: Hey, maybe they'll give you a pardon, man.
James Cole: [sarcastic] Yeah, that's why none of the volunteers come back. They all get a pardon.
See more »

Crazy Credits

The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »

Connections

Referenced in Boogie Nights (1997) See more »

Soundtracks

Silent Night, Holy Night
(1818) (uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
Played in the score and sung offscreen by an unidentifed chorus
See more »

Frequently Asked Questions

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User Reviews

 
Gilliam's Masterpiece of Madness
29 November 2000 | by darkjoshSee all my reviews

Terry Gilliam's fantastic, twisted story of a virus destroying all but a handful of people across the Earth and forcing them to move underground and the man sent back in time to gather information about it is a fantastic, dizzying, and highly stylized film that boasts Bruce Willis' best performance ever.

What sets 12 Monkeys apart from most time-travel sci-fi movies is that Bruce Willis character actually deals with what the psychological effects of time-travel, that is, not knowing what reality is actual reality: the place that the time-traveler comes from or goes to. Also, the film recognizes that things that have past cannot be altered and that the prevention of a cataclysmic event, in this case the release of said virus, cannot be stopped or changed. As Willis asserts "It's already happened," while he's in a mental hospital, the major dilemma the film trudges into is not a trite, overdone plot to save the world; instead it's Willis' inner struggle to simply survive himself. It's a fresh, innovative concept, and it works beautifully thanks to a tautly written script by Peoples and Gilliam's unique brand of dementia.

Besides this, 12 Monkey's storytelling is totally non-linear and instead opts to distort and bend the way the story is told skillfully incorporating a bevy of different time sequences: flashbacks, dreams, memories, the present, the past, the future, and even a scene that is lifted out of Hitchcock's Vertigo. All serve to envelop the viewer into its disturbing cacophony of madness and futility.

Visually, Gilliam is a master of desolate umbrage and shadow rivalling Tim Burton in his strikingly despondent scenery and imagery. With cold, wide, and immersing cinematography, Gilliam plunges into the colorless surroundings and darkness of his characters. The scenes are often bathed in a strangely antiseptic, dead white and help serve as a contrast to the often veering-on-madness characters.

Performance-wise, Brad Pitt steals most scenes, filling them with a patented loony, off-the-wall performance that deservedly garnered him an Oscar nomination. As mentioned, Bruce Willis gives the best performance of his career, not reverting to his heroic cliches and cardboard hero and instead portraying Cole as a simple, poignant, tragic everyman. Equally good is Madeline Stowe as Willis' psychologist. She holds her own, injecting her character with both wild energy and strength as she collapses under the weight of what she comes to believe is a false 'religion.'

Gilliam's expert, overwhelming, and complex handling of what could have been a routine action/sci-fi film makes 12 Monkeys a compelling vision of a nightmarish, futuristic landscape. Its rich, well-thought out, intricate storyline along with bravura performances from the entire cast and its brooding, bleak cinematography make it a masterpiece of madness. Ranking in my top 10 of all time, 12 Monkeys is a darkly lavish spectacle of a film brimming with brilliance.

10 out of 10


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