Jimmy the Saint's business is videotaping the terminally-ill, so that they will be around to give 'Afterlife Advice' to their survivors. He hasn't been doing too well lately and has had to turn to loan-sharks to accomodate his failing business, as well as his expensive personal tastes. When an evil gangster-overlord buys up his note and demands a favor of Jimmy, in exchange for the interest that he can't afford, Jimmy capitulates. Jimmy is to scare someone for the gangster-overlord--really rough them up. Without giving too much away (spoiler), the scene goes down badly and Jimmy and his crew all end up with contracts on their heads for their trouble.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Screenwriter Scott Rosenberg created the distinctive slang-based vocabulary used by the characters in the film by mixing Vietnam slang and biker slang, and adding in some of his own original diction. See more »
During the movie, they refer to the hit man killer as "Mr. Shush" (it even says as much in closed captions) - yet in the credits and chapter section, he is called "Mr. Shhh". See more »
I'm looking for Earl Denton.
He's lookin' for Earl Denton.
Earl Denton ?
AKA Easy Wind.
AKA Easy Wind ? - What the fuck you here this, boy ? - AKA My dick, Uncle Salty!
AKA His dick, Uncle Salty!
I need to find Earl Denton.
What you think, - huh? - You think we just give him up - like I was your house nigger?
Yeah, does he look like your house nigger, punk?
Will you shut the fuck up for eleven seconds?
[...] See more »
You might object to it - nethertheless you must like it.
I just wanted to choose one movie out of all the movies I've seen - per chance, I've got something like a list - and vote for it here. I happened to choose "Things to Do in Denver when You're Dead", I read a few comments, voted my 8 out of 10 and then I thought: Well, I guess I could easily write an own comment about this one quite quickly. So here is what I feel about it.
Generally, I'm a person who objects decisively to too much violence and obscenity, but still I like so much about this movie. I would have avoided many scenes and sure it is also a bit too pathetic, but it's also melancholic and poetic. Never before "good gangsters" have been as likeable as here - despite all that exaggerated kind of stuff they talk. As I told you, there is this dark poetry in this picture. The jeopardy of life in which the gangsters find themselves, their only hopes and the way they take it. There is also an unhappy love-story in this movie, no special one whereof you'd remember anything great or particularly touching, but it fits into the picture.
Already when you watch the opening scene of the movie - which you might feel quite uncomfortable about - you know that this is a unique and unconventional movie which doesn't like the word *taboo*. Therefore - there IS too much violence and obscenity in it. But also this is - depending on the way you look at it - fascinating: You don't care when someone is shot, but nethertheless you think you DID care for the main characters.
And finally the performances must be mentioned. They are really extremely fine and very charming. First of all Andy Garcia's in the lead. I've seen him in a few other movies before, but I didn't know what a good actor he is. In this movie he is absolutely brilliant, he's so very likeable - and melancholic when still full of joy. Christopher Walken of course is always fine, as is Christopher Lloyd as the leper (if he actually is one, tasteless but very very grotesque and funny!) and it's Treat Williams who stands out. Fairuza Balk also deserves being mentioned. And - it's some time ago that I saw the movie, so I can't actually recall why, but - I remember that I also enjoyed Jack Warden, who had a supporting role, very much.
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