A young Hollywood executive becomes the assistant to a big time movie producer who is the worst boss imaginable: abusive, abrasive and cruel. But soon things turn around when the young executive kidnaps his boss and visits all the cruelties back on him.Written by
Jason Ihle <email@example.com>
In one scene, Buddy Ackerman (Kevin Spacey) tells an employee that he will become a shoe salesmen. Kevin Spacey worked as shoe salesmen before becoming a successful actor See more »
When Dawn loads Guy's washing machines at the Laundromat, we never see either of them put quarters into the slots. Then, when Dawn shoves the handles in to start the cycle, we hear that there are no quarters dropping into the bin. See more »
You wanna talk big directors? Think Attenborough, think Spielberg, think Lean.
No he's not, don't you ever say that. He's just unavailable.
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NEW FRENCH GIRLFRIEND
Written by Luke Haines
Performed by The Auteurs
Published by Polygram Music Publishing Ltd. (PRS)
Courtesy of Vernon Yard Recordings On Behalf Of Virgin
T/A Hut Recordings See more »
Powerful movie that shows the nastier, more foul-mouthed side of Hollywood. Guy, played by Whaley, is a Hollywood rookie with no real experience but some lofty goals. The movie charts his learning of the ways of Hollywood through becoming an assistant for fastidious big-shot producer Buddy Ackerman (Spacey), and his subsequent unlearning of the 'normal' moral values that apply almost anywhere else. A remarkable performance from Spacey who is by turns searingly offensive, scathingly funny and (funnily enough) vividly human. Making an audience feel for such a revolting character is a feat not many could accomplish, but Spacey's up to the task. Frank Whaley (possibly known to you through a bit part in 'Pulp Fiction') also turns in a very strong performance as the disillusioned young assistant who falls in love (or rather, in bed) with a female producer played by the sultry Michelle Forbes. Spacey and Whaley's interplay in key scenes is riveting, and for the most part, the younger Whaley manages to stay out of Spacey's shadow.
The movie's ending is quite unforeseeable, and its message can be construed either as darkly humorous satire against Hollywood, or as a nihilistic comment on the ways of mankind. Judging by the not-so-humorous tone of the movie (though ludicrously enough it was marketed as a comedy), to me it feels like the latter applies. Definitely worth seeing, even if only for Spacey. 8/10
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