In 1999, Los Angeles is racial war zone with the army and LSPD and SWAT officers fighting Afro-American people. The former cop Lenny Nero is a dealer of illegal recording in CDs that gives the memories and sensations of the recorder to the user. He buys the recordings from the supplier Tick; he misses his former mistress Faith, who was a hooker and now is a singer; his best friend is the private eye Max Peltier and the limousine driver Lornette 'Mace' Mason, who has unrequited love for him. Two days before the turn of the century, the black rapper Jeriko One is murdered. The hooker Iris seeks Lenny out but there is an incident and they do not talk to each other. However she drops a recording into Lenny's car while he unsuccessfully tries to meet Faith at a night-club. However her boyfriend Philo Gant does not let them talk. When Lenny learns that Iris was sadistically raped and killed, he gets involved in a sick scheme and discovers dirty hidden secrets.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
James Cameron did extensive editing work, especially on the final action sequences, but he could not be credited because he was not in the editors union. He joined before making Titanic (1997) and is credited as an editor on that film. See more »
When Lornette and Lenny are in her house and she has him pinned against the wall, you can hear her voice but her mouth is not moving. See more »
Two scenes cut from the film for pacing are available on the US domestic laserdisc and DVD. The first one shows Lenny Nero trying to "boost the gain" on the first snuff clip so he can make out the face of the murderer (and very nearly frying his brain in the process). The second shows how Lenny and Mace sneak into "the most sold-out party in history:" they swipe a pair of media badges from cameramen. The main cameraman, Vincent, is portrayed by Hill Harper, and Lenny jumps in his shot, which is where the view of his face on the big-screen TV in the square comes from. See more »
Lie in State
Written by Howie Beno
Performed by H. Beno
Courtesy of Chicago Trax See more »
One of my all time faves!
Unfortunately, this film failed at the box-offices, although it´s one of the greatest masterpieces of the 90s. The first time I saw "Strange Days" was about five years ago, and then over and over again. If you think Ralph Fiennes is only able to play sensitive and problematic characters watch this: it´s his most unusual, but one of the best performances in his career - a performance of a coolness you only would expect from Samuel L. Jackson. Angela Bassett is one of the toughest women cinema has ever seen and Juliette Lewis, Tom Sizemore, Glenn Plummer, William Fichtner - every single role is casted perfectly...
"Strange Days" is thriller, drama and big city ballad in one piece. I can´t remember any movie that reflects the philosophy of life of Generation X better than this one. Lenny deals with the "Squids" which are the experiences and emotions of men saved on a mini disc. Emotions as a product, a drug - a compensation of modern life for the growing loneliness and anonymity. The only possibility for weak persons like Lenny to feel real. A movie like "Fight Club" wouln´t have been possible without "Strange Days"; other releases like "The Cell" or even Scorsese´s "Bringing out the dead" copied the incomparable make. Although this film is older than six years it hasn´t lost anything explosive effects, what is connected with the video clip style this movie has, which gives "Strange Days" a touch of being ageless. The two most brilliant scenes are the opening sequence - the robbery in the Chinese restaurant - and the showdown down in the streets at the millenium party. Also the soundtrack (Deep Forest, Peter Gabriel, Skunk Anansia, Strange Fruit...) is one of the best I´ve ever heard, what makes "Strange Days" an unforgettable experience for every watcher. (10/10)
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