In 1999, Los Angeles is racial war zone with the army and LSPD and SWAT officers fighting Afro-American people. The former cop Lenny Nero is a dealer of illegal recording in CDs that gives the memories and sensations of the recorder to the user. He buys the recordings from the supplier Tick; he misses his former mistress Faith, who was a hooker and now is a singer; his best friend is the private eye Max Peltier and the limousine driver Lornette 'Mace' Mason, who has unrequited love for him. Two days before the turn of the century, the black rapper Jeriko One is murdered. The hooker Iris seeks Lenny out but there is an incident and they do not talk to each other. However she drops a recording into Lenny's car while he unsuccessfully tries to meet Faith at a night-club. However her boyfriend Philo Gant does not let them talk. When Lenny learns that Iris was sadistically raped and killed, he gets involved in a sick scheme and discovers dirty hidden secrets.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The ending credits end with the dedication "To Gertrude". See more »
Two scenes cut from the film for pacing are available on the US domestic laserdisc and DVD. The first one shows Lenny Nero trying to "boost the gain" on the first snuff clip so he can make out the face of the murderer (and very nearly frying his brain in the process). The second shows how Lenny and Mace sneak into "the most sold-out party in history:" they swipe a pair of media badges from cameramen. The main cameraman, Vincent, is portrayed by Hill Harper, and Lenny jumps in his shot, which is where the view of his face on the big-screen TV in the square comes from. See more »
Yep. It sure shows that Cameron has laid his hand on this film. It has a superb plot, great timing and a spectacular ending - one of the best ever, I might add.
Just about everything you see in this film adds to the momentum. Just look in the background. There is always something going on, someone getting arrested or stealing something or burning something... all of it enhances the doomsday feeling you get when watching.
I also find Fiennes' acting just short of perfect. His face, his gestures and his entire being reeks of the sordid life his character leads. To cast him was genius. Lewis, Sizemore, Bassett and Wincott perform excellently as well - but it's really Fiennes that just makes this film happen.
Do you want to see something unusual for a change? Do you long to see a believable sf-story for once, even despite the fact that the events of the film took place in 1999? And do you yearn for a sensational film made to make you really feel something? See Strange Days.
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