Internationally acclaimed novelist Paul Auster ("New York Trilogy", "The Book of Illusions", "Man in the Dark") explores the art of writing in the darkly comical THE INNER LIFE OF MARTIN ... See full summary »
A Chinese man travels to America to visit his daughter after her recent divorce. Though his trip starts off as a mission to see his daughter remarry, he sparks to an Iranian woman who, despite their language barrier, captures his heart.
A MAN, A WOMAN, AND A KILLER is the story of a small-time gangster (Dick Richardson) writing his journal in a Mendocino, California, farmhouse, as he awaits a hit man who is coming to kill ... See full summary »
Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction. While Chris is trying ... See full summary »
The plot of this movie, like smoke, drifts and swirls ethereally. Characters and subplots are deftly woven into a tapestry of stories and pictures which only slowly emerges to our view. This movie tries to convince us that reality doesn't matter so much as aesthetic satisfaction. In Auggie Wren's (Harvey Keitel's) New York City smoke shop, day by day passes, seemingly unchanging until he teaches us to notice the little details of life. Paul Benjamin (William Hurt), a disheartened and broken writer, has a brush with death that is pivotal and sets up an unlikely series of events that afford him a novel glimpse into the life on the street which he saw, but did not truly perceive, every day. Finally, it's Auggie's turn to spin a tale.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Thomas Cole knocks on the door of Paul Benjamin's apartment on his first visit, Paul goes to answers the door without a cigarette. However, when he opens the door a lit cigarette appears in his mouth. See more »
Innocent when you dream
Written and Performed by Tom Waits
Courtesy of Island Records, Inc.
Special thanks to Tom Waits See more »
The beauty of the commonplace, if we can see it
Every once in a while, a film comes down the pike that is so refreshing, so rich, you'd swear it was inspired by some immortal spirit who condescended to take human form in order to share her perspective with us. Smoke is one such film.
Although there's nothing particularly special about each of several main characters, seemingly picked at random off of a New York street corner, they come off as noble, even heroic, in spite of the fact that their collective problems amount to nothing more than the usual garden variety. The main character, for example (Auggie Wren, played by Harvey Keitel) is a tobacconist around whose shop the main characters revolve. He has an unusual habit: every morning, at the same time of the day, he photographs the same street corner, and puts the pictures together in a series of albums. It's time-lapse photography on an enormous scale. He can't explain why he does it. He just needs to do it. And it's a really marvelous device for delivering the movie's main theme: everything that matters, all the meaning in the world that can be condensed from holy books and vows and catechisms and poems, is right there before us. We just need to have the eyes to see it. The things we tend to dismiss as prosaic, out of familiarity, emerge from the pages of his album as special, wonderful, enchanted.
There's a great line in the movie about how Sir Walter Raleigh measured the weight of smoke. He took a cigar, weighed it, smoked it, and weighed the ash. The difference between the cigar and the ash was the weight of the smoke. Although he new nothing of the chemistry of combustion, he did the best that he could, based upon what he knew. Likewise, Smoke is a movie about people with limited knowledge and perspective. Their assumptions are often wrong; but, they do the best that they can. A small, seemingly insignificant piece of information can, and does, change everything.
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