Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Jonny Lee Miller,
Emma Woodhouse seems to be perfectly content, to have a loving father whom she cares for, friends and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors ... See full summary »
Jonny Lee Miller
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried.Written by
Amanda Root was originally sought for the role of Marianne, and performed the role at a read-through of an early draft of the script. However, by the time the film was being made, Root could not appear, as she was already working on another Jane Austen film, Screen Two: Persuasion (1995). See more »
The scene at Norland where Edward is reading the poem is set in the evening. The following scene where the Dashwoods receive the letter from Sir John Middleton occurs in the afternoon. The next scene between Marianne and Elinor in the bedroom occurs again at night but is referred to as if it had happened earlier the same evening. See more »
"Love is not love which alters when it alteration finds, or bends with the remover to remove. Oh no! It is an ever fixed mark that looks on tempests and is never shaken." Willoughby. Willoughby. Willoughby.
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Excellent period piece, well adapted and with a witty script and fine performances.
This is a remarkable film that does a very good job of depicting a rigid and quite hidebound society that often made India's caste system look reasonable and moderate by comparison. One of the more enjoyable points for me was the fact that the "sense and sensibility" of the title had a most definite 19th Century feel and yet still remains very timeless and does not attempt to force Twentieth Century mores (probably by use of a crowbar) into a script where they do not belong. Modern day viewpoints do not belong here. If you want a modern day version, fine. But it would be, at best, only a glancing and quite loose adaptation of the novel, so why do an adaptation at all, then? Not all films have to reflect present day sensibilities. This is a very human and compelling story with a fine cast and wonderfully witty script. Look for a very dry and understated performance by Hugh Laurie as Mr. Palmer, the long-suffering husband of the daughter of Mrs. Jennings. Were I Mr. Palmer, I'd have long since invested in earplugs or opened a vein. Very fine film and most highly recommended.
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