The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
A film about two homicide detectives' (Morgan Freeman and Brad Pitt) desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" (Kevin Spacey) sermonizes to Detectives Somerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Somerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills (Pitt) scoffs at his efforts to get inside the mind of a killer...Written by
Mark Fleetwood <firstname.lastname@example.org>
In early stages of production, Al Pacino was considered for the role of Somerset, but he declined due to scheduling conflicts with City Hall (1996). See more »
When the detectives are at the door of John Doe's apartment, John walks into the hallway. He sees them, drops his bag of groceries, pulls a gun, shoots, and runs. The bag is now on the floor, with its contents spilled out. When Mills gives chase, he runs down the same hallway. The dropped bag of groceries has vanished. See more »
Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
Yeah, just look at all the passion on that wall.
See more »
The opening credits are done over broken, blurred images of John Doe removing the skin from his fingertips and sewing it into his journals. See more »
The writer, Andrew Kevin Walker, completed two separate drafts of the ending. The first is the one that we see, and the second is one where John Doe is killed by Somerset instead of Mills. This alternate ending sequence was storyboarded and is included in the published script, but never filmed. See more »
Simply one of the darkest and best thrillers of the 1990's but don't let anyone spoil it for you.....
`Days from retirement' Detective Somerset is teamed with new-to-the-city Detective Mills to investigate a murder that quickly becomes a series. Somerset realises that the killer must be smart and is using classic literature to model his killings on the seven deadly sins, however Mills finds to hard to see him as anything other than a crazy man. With the killer close to completing his work, Mills and Somerset begin to close in on him. However nothing is as it seems in a dark depressing city full of moral degradation and apathy.
When David Fincher came onto the scene with his debut feature Alien3 the world only paused to scorn a film that didn't fit in with the Alien franchise. Yes it wasn't a great film but I loved the sense of mood, the dark the tension in the shadows that Fincher created. Years later we have Se7en, Fight Club, The Game, and at people are getting Fincher!
Se7en was his major break through where his dark visions also reaped box-office gold. The story doesn't sound like much mismatched partners (one young, cocky and reckless the other a few days from retirement) go after a serial killer who is carrying out a series of twisted murders ..it sounds like Lethal Weapon meets a straight to video thriller. But happily it rises above that by so much it's unbelievable .it certainly shows how a story put in good hands can work out. From the start we are entombed in mood the city where it always rains, the uncaring people etc. The we begin to find murders but Fincher doesn't show us the murders, he lets us see the aftermath in the shadows and lets us imagine the rest Genius!
What you don't see is more gory than what you do. Meanwhile the tension is cranked up to fever pitch as the race to catch the killer is accelerated. When we meet the killer, the film just gets better right up to an ending that is simply one of the most logical, emotional and gripping endings I've ever seen. I promise you'll leave the cinema shell shocked.
Freeman is excellent as Somerset so good that it's a role he's tried to do again in `Kiss the girls' etc. But here he is the perfect foil for both Mills and the killer. Brad Pitt is also superb....he isn't allowed to trade on his looks here and does very well in a film that has little opportunity for him to pander to his female fans he spends a lot of it looking beaten up. Paltrow is OK with what she has but this isn't really a film that focuses on female roles. R. Lee Ermey is as good as ever and it's a sign of how good the cast is that actors of the stature of Charles Dutton and John C McGinley are basically in roles that barely count as cameos.
However the best performance is from Kevin Spacey in the years before he became an Oscar lovie and stopped doing bad guys or dark characters. He is only on screen for a small portion of the film but his dialogue is superb and he delivers it faultlessly. In the scene where he shares a car ride with Mills and Somerset you literally hang on his every word. However alongside Spacey Fincher stands triumphant with his dark vision given the perfect story and perfect actors.
At heart this is a cop thriller but excellent performances, excellent mood and a moral lesson from an excellent Spacey make this quite simply the most jaw-droppingly excellent thriller of the 1990's.
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