Cast overview, first billed only: | |||
Morgan Freeman | ... | Somerset | |
Andrew Kevin Walker | ... | Dead Man at 1st Crime Scene (as Andy Walker) | |
Daniel Zacapa | ... | Detective Taylor at First Murder | |
Brad Pitt | ... | Mills | |
Gwyneth Paltrow | ... | Tracy | |
John Cassini | ... | Officer Davis | |
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Bob Mack | ... | Gluttony Victim |
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Peter Crombie | ... | Dr. O'Neill |
Reg E. Cathey | ... | Dr. Santiago | |
R. Lee Ermey | ... | Police Captain | |
George Christy | ... | Workman at Door of Somerset's Office | |
Endre Hules | ... | Cab Driver | |
Hawthorne James | ... | George the Night Guard at the Library | |
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William Davidson | ... | First Guard at the Library (as Roscoe Davidson) |
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Bob Collins | ... | Second Guard at the Library |
A film about two homicide detectives' (Morgan Freeman and Brad Pitt) desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" (Kevin Spacey) sermonizes to Detectives Somerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Somerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills (Pitt) scoffs at his efforts to get inside the mind of a killer... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>
David Fincher's bleak, relentless, and ultimately terrifying crime thriller Seven transcends other films of the genre with incredible plotting (the sort Hitchcock might employ were he alive and making films in the 1990s) and scalding intelligence. With only a small handful of minor flaws -- the overly familiar retiring cop/young cop pairing; the awful "I'm taking you off the case!" cliche seemingly required by the genre; one giant lapse in logic in the downward spiral toward the conclusion that cannot be revealed without ruining the script's gruesome surprise -- Seven typically keeps its viewers imprisoned in their seats with a combination of morbid fascination and abject fear. Despite attempts by studio executives to alter Andrew Kevin Walker's ending, the filmmaking team prevailed and audiences experienced that rare treat of mainstream cinema: an uncompromising vision.