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Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »

Director:

Mohsen Makhmalbaf
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Cast

Credited cast:
Shaghayeh Djodat Shaghayeh Djodat ... Herself
Behzad Dorani Behzad Dorani ... Himself
Feizola Gashghai Feizola Gashghai ... Himself
Maryam Keyhan Maryam Keyhan ... Herself
Mohsen Makhmalbaf ... Himself
M.H. Mokhtarian M.H. Mokhtarian ... Himself
Kambiz Shabankare Kambiz Shabankare ... Himself
Mirhadi Tayebi Mirhadi Tayebi ... Himself
Azadeh Zanganeh Azadeh Zanganeh ... Herself
Moharram Zaynalzadeh Moharram Zaynalzadeh ... Himself
Edit

Storyline

Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors. Written by Sam Tabibnia <samtab@uclink.berkeley.edu>

Plot Summary | Add Synopsis


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Details

Official Sites:

sourehcinema

Country:

Iran

Language:

Persian

Release Date:

14 April 1995 (USA) See more »

Also Known As:

Hello Cinema See more »

Filming Locations:

Tehran, Iran

Company Credits

Production Co:

Amoon,Green Film House See more »
Show more on IMDbPro »

Technical Specs

Color:

Color
See full technical specs »
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Connections

Featured in Stardust Stricken - Mohsen Makhmalbaf: A Portrait (1996) See more »

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User Reviews

 
Salaam Cinema is Iranian director Mohsen Makhmalbaf's tribute to the art of cinema on its 100th anniversary.
26 October 2015 | by FilmCriticLalitRaoSee all my reviews

It is through the dual prism of 'affect' and 'effect' that viewers would be compelled to watch Iranian director Mohsen Makhmalbaf's film 'Salaam Cinema'. It is an important film which tries to ascertain how does cinema affect the lives of ordinary human beings ? It also tries valiantly to measure the effects of cinema on human beings. In 'Salaam Cinema' people are able to laugh at will but they are absolutely clueless when it is their turn to shed some tears. This is a very important proof for the preference audiences have for comedy films. It appears as if nobody comes to cinema to cry but enjoys darkness of a cinema hall to have a good laugh. Through his absolute control the direction process, director Makhmalbaf has been able to dissolve the ubiquitous boundaries between documentary cinema and traditional narrative cinema. He is also fantastic in his role as a film director on set who is similar to a dictator who can order anybody to do anything. Using cinema to comment upon cinema is an excellent strategy to comment upon the impact of cinema. The extent to which Hollywood cinema is popular all over the world even in Iran is revealed through scenes in which young Iranian men state Paul Newman's name without even watching any of his films. In this film, everybody seems to profess love for cinema as it is viewed as a ticket to prosperity. Lastly, cinema is a great social force for many ordinary citizens. However, it was evident in full force in 'Salaam Cinema' as it also transformed itself as a problem solver when a young girl approaches director Mohsen Makhmalbaf to give her a role which would enable her to get a visa in order to marry her boy friend who has settled abroad.


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