Richard III (1995)

The classic Shakespearean play about a murderously scheming King staged in an alternative fascist England setting.

Director:

Richard Loncraine

Writers:

William Shakespeare (play), Ian McKellen

Stars:

Ian McKellen, Annette Bening, Christopher Bowen

Nominated for 2 Oscars. Another 7 wins & 10 nominations.

Cast

Cast overview, first billed only:
Christopher Bowen	...	Prince Edward
Edward Jewesbury	...	King Henry
Ian McKellen	...	Richard III
Bill Paterson	...	Ratcliffe
Annette Bening	...	Queen Elizabeth
Matthew Groom	...	Young Prince
John Wood	...	King Edward
Nigel Hawthorne	...	Clarence
Maggie Smith	...	Duchess of York
Kate Steavenson-Payne	...	Princess Elizabeth
Robert Downey Jr.	...	Rivers
Tres Hanley	...	Air Hostess
Tim McInnerny	...	Catesby
Stacey Kent	...	Ballroom Singer
Jim Carter	...	Lord William Hastings

Storyline

William Shakespeare's classic play is brought into the present with the setting as Great Britian in the 1930s. Civil war has erupted with the House of Lancaster on one side, claiming the right to the British throne and hoping to bring freedom to the country. Opposing is the House of York, commanded by the infamous Richard who rules over a fascist government and hopes to install himself as a dictator monarch.

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Plot Keywords:

fascist | dog | tank | battle | widow | 

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Taglines:

What Is Worth Dying For... Is Worth Killing For.

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Genres:

Drama | Sci-Fi | War

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Motion Picture Rating (MPAA)

Rated R for violence and sexuality

Details

Country:

UK USA

Language:

English

Release Date:

29 December 1995 (USA)

Also Known As:

Ricardo III

Filming Locations:

Battersea Power Station, Battersea, London, England, UK

Box Office

Budget:

GBP6,000,000 (estimated)

Opening Weekend USA:

$91,915, 1 January 1996

Gross USA:

$2,684,904

Cumulative Worldwide Gross:

$2,748,518

Company Credits

Production Co:

Mayfair Entertainment International, British Screen Productions, Bayly/Paré Productions

Technical Specs

Runtime:

110 min

Sound Mix:

DTS Dolby Digital Dolby Stereo Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The initials on the band's music stands are "W.S.", for William Shakespeare.

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Goofs

When Elizabeth is summoned to talk with Richard in the train car, her coat unbuttons between shots.

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Quotes

[first lines]
Prince of Wales: Goodnight Father.
King Henry: Goodnight son.
Prince of Wales: Goodnight your majesty.

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Alternate Versions

The UK (video) release has the cast credits in order of appearance.

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Connections

Version of Richard III (1911)

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Soundtracks

Come Live With Me
Paraphrased from "The Passionate Shepherd to his Love,(1599)" by Christopher Marlowe
Performed by Stacey Kent and Vile Bodies
Music composed by Trevor Jones
Arranged by Colin Good
Published by EMI Music Publishing Ltd.

User Reviews

Brilliantly thought out, superbly played and totally gripping

I'm not always comfortable with Shakespeare in modern dress, nor with Ian McKellen's apparent assumption of the mantle of Olivier and Gielgud. Neither did I think that anything could top the experience of seeing Antony Sher play the role on the 500th anniversary of the Battle of Bosworth.

So after all the unfavourable comment, I was shocked to find this version comprehensively squashing all such reservations. It's brilliantly thought out, superbly played and totally gripping from start to finish.

The updating to a non-specific inter war period is not just apposite but genuinely illuminating. The games McKellen plays with the changing techniques of warfare in the period, the rise of fascism, realpolitik and the undermining of royalty by the Wallis Simpson affair, push back the boundaries of Shakespeare on film in all directions.

For example, at the very moment you're thinking that all this mayhem is a bit much in English period costume, the helmets change, then the uniforms get darker, the red flags appear and Richard's acceptance speech turns into an underground Nuremburg Rally - a stark reminder of just how deeply the country flirted with fascism in the 30s and just how short and steep the descent can be. Stanley's troops, crucially uncommitted, stood off overlooking the real Battle of Bosworth. McKellen's Richard has control of the railway network here, but Wing Commander Stanley denies him the all-important air support in a superb piece of updated analogy. Throughout, modernity is so carefully and relevantly overlaid on the plot structure that it becomes one of the great pleasures and achievements of the piece.

Lots of surprises, not the least of which comes as the play's most famous line is perfectly re-engineered and delivered and lots of great players at the top of their form.

McKellen, Scott Thomas, Broadbent, Downey Jnr and Annette Bening are all worth the price of admission individually, but there's hardly a flaw in any of the performances.

I simply can't see what the detractors are on about at all. Really. An epic piece of work. Easily the best version on film. Easily the most thought provoking Shakespeare on film.