"Now is the winter of our discontent..." With these timeless words, Duke Richard - lounging on his sun deck - sets his murderous plans in motion. His goal: to eliminate the hated rival ... See full summary »
Maria Conchita Alonso
William Shakespeare's classic play is brought into the present with the setting as Great Britian in the 1930s. Civil war has erupted with the House of Lancaster on one side, claiming the right to the British throne and hoping to bring freedom to the country. Opposing is the House of York, commanded by the infamous Richard who rules over a fascist government and hopes to install himself as a dictator monarch.Written by
Anthony Hughes <firstname.lastname@example.org>
Tyrell (Adrian Dunbar) was not scripted to hand the apple to Richard III (Sir Ian McKellen) in the stable, but improvised it on the spot. McKellen took the hint, and pelted the apple (supposedly at the pig). See more »
When Elizabeth is summoned to talk with Richard in the train car, her coat unbuttons between shots. See more »
I'm Sitting On The Top Of The World
Performed by Al Jolson
Composed by Ray Henderson, Joe Young and Sam Lewis
Published by EMI United Partnership Ltd.
Redwood Music Corp.
Angle-Pic Music Co. Ltd.
EMI Catalog Partnership/EMI Feist Catalog Inc.
Ray Henderson Music Corp.
(c) MCA Records Inc. Licensed courtesy of
MCA Strategic Marketing Ltd. See more »
This film sets Shakespeare's Richard III in an alternative to WWII era England, where fascists and royalists maintain their own militias and play power games with kings and thrones. The first scene sets the tone for the entire film. A young officer is settling down to dinner with his dog chewing on a bone nearby. The building begins to shake and a low rumbling is heard. Soon enough, a tank erupts through the fireplace and stormtroopers charge in automatic rifles ablaze. Ian McKellan removes his gas mask and spouts a few lines of Shakespearean dialog.
The action and the intrigue never really let up, as the film follows Richard's (McKellan) rise to infamy and power. Neither does the Shakespearean dialog. Somehow the cast manages to make the dialog fit the action and setting effortlessly.
Richard III is jarringly strange - perhaps the most innovative of the recent Shakespeare updates - very well acted and directed. Although I recommend the film, I have to warn you - it's not for everyone.
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