Three stories of love and coincidence around the theme of dates in Paris.
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Title: Rendezvous in Paris (1995)
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2 nominations.
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Different stories of young women and men coming together and coming apart in Paris' romantic settings, are organized in four distinct chapters: (1) Le rendez-vous de 7 heures / The 7 p.m. rendezvous; (2) Le lendemain... / The next morning; (3) Les bancs de Paris / The seats of Paris' parcs; (4) Mère et Enfant, 1907 / Mother and Child, 1907. Written by Artemis-9
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While at the Cimetiere St. Vincent, they visit the grave of Theophile Alexandre Steinlen who was a Swiss-born French Art Nouveau painter and print-maker. See more »Frequently Asked Questions
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Country:
FranceLanguage:
FrenchRelease Date:
28 June 1996 (USA) See more »Also Known As:
Rendezvous in Paris See more »Edit
Box Office
Opening Weekend USA:
$36,471, 11 August 1996Gross USA:
$730,099Company Credits
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Eric Rohmer usually explores with exceptional psychological talent what is in the minds and hearts of ordinary people in what concerns love relations. In his movie people reflect and talk thoroughly about what they feel (or suppose they feel) in what regards those relations and live apparently superficial events although very meaningful and sometimes unexpected and surprising. In this movie the first two stories are about love and infidelity treated in a humorous way without prejudice of their psychological depth. Human beings are like that and they not always realize what they really feel. The third story is of love and infatuation, of illusion and disillusion when you think that because you love someone, automatically the loved one also loves you which seldom is true. The city of Paris atmosphere where the three stories take place is particularly favourable to such sentiments and situations for its romantic urban environment. We have then here the usual Rohmer's characters: authentic human beings somewhat doubtful about their feelings and thoughts (though they sometimes suppose they are certain about that) who now and then have to face situations for which they were not prepared. Not very dramatic but not superficial anyway.