The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such ... See full summary »
As a young girl in Japan, Nagiko's father paints characters on her face, and her aunt reads to her from "The Pillow Book", the diary of a 10th-century lady-in-waiting. Nagiko grows up, obsessed with books, papers, and writing on bodies, and her sexual odyssey (and the creation of her own Pillow Book) is a "parfait mélange" of classical Japanese, modern Chinese, and Western film images.Written by
Michael C. Berch <email@example.com>
Similarly, the nominally French lyrics (and subtitles) of the lovers' theme ("Parfait Mélange") are actually somewhat "fractured French". See more »
Mike visible during wide shot when Nagiko kneels and Jerome signs his name on her back. 01:03:59 into the film on PAL DVDs. See more »
When God made the first clay model of a human being, He painted in the eyes... the lips... and the sex. And then He painted in each person's name lest the person should ever forget it. If God approved of His creation, He brought the painted clay model into life by signing His own name.
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Interesting, but too calculated to be truly erotic
Like many of Peter Greenaway's movies, Pillow Book features extensive nudity. However, while the plot development is well worked out, the cast is competent, and Greenaway shows off a dazzling array of cinematic techniques, he always seems to approach his material too intellectually to really engage the viewer's emotions. I cannot know his intentions, but my impression is that he regards his scripts as more akin to a complex mathematical puzzle to be worked out than a story about real people with human feelings, leaving the movie worth watching but curiously cool and clinical rather than passionately erotic.
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