Theatrical film of "Persuasion" with Ciaran Hinds and Amanda Root. Directed by Roger Michell.Theatrical film of "Persuasion" with Ciaran Hinds and Amanda Root. Directed by Roger Michell.Theatrical film of "Persuasion" with Ciaran Hinds and Amanda Root. Directed by Roger Michell.
- Won 5 BAFTA Awards
- 7 wins & 2 nominations total
Ciarán Hinds
- Captain Wentworth
- (as Ciaran Hinds)
Featured reviews
This has got to be the most watchable Jane Austen adaptation since the recent influx. Amanda Root and Ciaran Hinds are simply the best at conveying unrequited love. One is not blindsided by the big names and distracting beauty of those that have filled the roles of more recent Austen films, and that's how it should be. The performances by Sophie Thompson (Emma's sister), Phoebe Nicholls (remember "Brideshead Revisited"?), and Corin Redgrave is enough to make this movie recommendable, but the 2 main characters are absolutely superb and sympathetic without being sappy or gratuitous. The other supporting cast is phenomenal; what one expects from a nice little English film. Cinematography and soundtrack are fitting as well. Highly recommended!
A real pleasure to watch and by far superior to the later version with Sally Hawkins. (Sally Hawkins was fine but the whole later production looks like a cartoon version compared with this elaborate rendering of Jane Austen's world.) Amanda Root as Anne Elliot is perfect as the underestimated and unloved daughter of a spendthrift snob of a father and a stepmother right out of Grimm's fairy tales. (Not to speak of being henpecked by her hyper nervous younger married sister.) They filmmakers also managed to make Amanda Root look rather unattractive at the beginning and one wonders how any man could have been so much in love with her as the still lamented Frederick Wenthworth, whom she sent away on the heavy influence of her family, because he was a nobody with no regular income at the time. Years have past when we comes back into her neighbourhood, apparently haunting her serenity and feeling her more wrong then ever before. Cairán Hinds is equally good as the former lover Wenthworth, still hurt and trying hard to ignore Anne and seemingly having a good time without her. Once Wentworth pops up every now and then we notice that Anne begins to look more pretty, even the presence of the man she thinks she has lost forever make her look so much better.
The beauty of this version is not only grounded on the excellent cast but also in the magnificent eye for details, and, although only running a mere 100 minutes, gives the viewer the appropriate feeling of time passing by very slowly (don't get me wrong, I don't speak of the pace inside the story), but time that painfully slows down when being with people you despise or you feel dispised by. I always cherished this book by Jane Austen very much and I'm so glad that finally I found this film that really does it justice!
The beauty of this version is not only grounded on the excellent cast but also in the magnificent eye for details, and, although only running a mere 100 minutes, gives the viewer the appropriate feeling of time passing by very slowly (don't get me wrong, I don't speak of the pace inside the story), but time that painfully slows down when being with people you despise or you feel dispised by. I always cherished this book by Jane Austen very much and I'm so glad that finally I found this film that really does it justice!
I enjoy Jane Austin best of all when it is free of the Hollywood temptation to populate her cast with handsome men and beautiful woman. Anne Elliot is attractive not because she is some buxom blonde, but because her character is intelligent, quiet, and generously caring.
The photography in this film is extraordinary as are all the performances. Colin Redgrave is fabulous as Anne's father, a sniveling social climber, and Samuel West as the seedy relative who tries to get back in the families good graces to make sure that his fortunes are preserved. The actresses playing Anne's two sisters also do a praise worthy job.
I recommend this film highly even if you aren't an Austin fan.
The photography in this film is extraordinary as are all the performances. Colin Redgrave is fabulous as Anne's father, a sniveling social climber, and Samuel West as the seedy relative who tries to get back in the families good graces to make sure that his fortunes are preserved. The actresses playing Anne's two sisters also do a praise worthy job.
I recommend this film highly even if you aren't an Austin fan.
I have been in love with this movie ever since the first time I saw it. Now I watch it whenever it's on. Ciaran Hinds is thoroughly likable, albeit a bit stiff, as the captain, and Amanda Root is subtle and sympathetic. Phoebe Nicholls may be the meanest sister since Cinderella's and she seems to do it effortlessly. That chameleon of an actress, Sohie Thompson, is at her whiny and annoying best. One of the things I enjoy most is the subtle changes in Roots character. You must watch as she goes from plain to pretty before your eyes, without ever a hint of acting. This movie is all about subtly and closeups, and facial expressions are the key to many an unspoken word. Even those with small roles last indelibly.
It is annoying to read the comment describing this movie as Victorian since Austen died before Queen Victoria was born. It is remarkable that all her novels describe rural English life almost untouched by the violence of the Napoleonic Wars raging on the continent during her lifetime. This one at least alludes to the careers of British naval officers. It also calls attention to the "great age for poetry" in which the characters lived. This is one of a small handful of truly beautiful love stories on film which end happily; An Affair to Remember and A Room With a View are two others in my canon. Every actor/actress in this movie should have been nominated for an Oscar, a perfect ensemble cast, typical of the best subtle British cinematic style.
Storyline
Did you know
- TriviaAmanda Root originally was wanted by Ang Lee and Emma Thompson for the role of Marianne Dashwood in their adaptation of another Jane Austen film, Sense and Sensibility (1995), and she performed the role at a read-through of an early draft of the script before she was cast in Persuasion.
- GoofsAt the Musgroves' dinner, the Musgrove girls read from the Navy List that the Laconia is a 74-gun frigate. Frigates of that era had at a maximum around 44 guns. A ship with 74 guns would have been a "ship of the line".
- Quotes
Lady Russell: Captain Wentworth.
Captain Wentworth: Lady Russell.
Lady Russell: You have an extraordinary ability to discompose my friend, sir.
Captain Wentworth: And you have an extraordinary ability to influence her, ma'am, for which I find it hard to forgive you.
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Доводы рассудка
- Filming locations
- Bath Street, Bath, Somerset, England, UK(the kiss)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,000,000 (estimated)
- Gross US & Canada
- $5,269,757
- Opening weekend US & Canada
- $30,986
- Oct 1, 1995
- Gross worldwide
- $5,269,757
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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