Pilvien takana (1995)
Al di là delle nuvole (original title)Reference View | Change View
- Not Rated
- 1h 50min
- Drama, Romance
- 16 Aug 1996 (Finland)
- Movie
Four stories about short or long relationships between men and women in Italy and France.
Directors:
Writers:
Stars:
Awards:
- 3 wins & 6 nominations.
- See more »
Photos and Videos
Cast verified as complete
| Fanny Ardant | ... |
Patricia
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| Chiara Caselli | ... |
Mistress
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| Irène Jacob | ... |
The Girl
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| John Malkovich | ... |
The Director
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| Sophie Marceau | ... |
The Girl
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| Vincent Perez | ... |
Niccolo
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| Jean Reno | ... |
Carlo
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| Kim Rossi Stuart | ... |
Silvano
(as Kim Rossi-Stuart)
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| Inés Sastre | ... |
Carmen
(as Ines Sastre)
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| Peter Weller | ... |
Husband
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| Marcello Mastroianni | ... |
The Man of All Vices
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| Jeanne Moreau | ... |
Friend
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| Enrica Antonioni | ... |
Boutique Manager
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Carine Angeli |
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Alessandra Bonarota |
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Laurence Calabrese |
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Tracey Caligiuri |
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Hervé Décalion |
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John-Emmanuel Gartmann |
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Sherman Green |
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| Veronica Lazar |
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Suzy Lorraine |
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Cesare Luciani |
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Muriel Mottais |
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Bertrand Peillard |
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Sara Ricci |
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| Sophie Semin |
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Sabry Tchal Gadjieff |
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Giulia Urso |
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Frere Jean-Philippe Revel |
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Frere Daniel Bourgeois |
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| Rest of cast listed alphabetically: | |||
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Andrea Solmi | ... |
Movie Viewer (uncredited)
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Directed by
| Michelangelo Antonioni | ||
| Wim Wenders | ... | (prologue, intermissions & epilogue) |
Written by
| Tonino Guerra | ... | (screenplay) & |
| Michelangelo Antonioni | ... | (screenplay) & |
| Wim Wenders | ... | (screenplay) |
| Michelangelo Antonioni | ... | (book "That Bowling Alley on the Tiber River") |
| Francesco Marcucci | ... | (adaptation & additional dialogue) (uncredited) |
| Soheil Ghodsy | ... | (French adaptation) |
Produced by
| Philippe Carcassonne | ... | producer |
| Vittorio Cecchi Gori | ... | co-producer |
| Brigitte Faure | ... | executive producer |
| Ulrich Felsberg | ... | co-producer |
| Danièle Gégauff | ... | executive producer (as Danielle Gegauff Rosencranz) |
| Felice Laudadio | ... | associate producer |
| Pierre Roitfeld | ... | executive producer |
| Stéphane Tchalgadjieff | ... | producer (as Stephane Tchal Gadjieff) |
Music by
| Bono | ... | (as U2) |
| Adam Clayton | ... | (as U2) |
| Van Morrison | ||
| Laurent Petitgand | ||
Cinematography by
| Alfio Contini | ... | (Antonioni segment) |
| Robby Müller | ... | (Wenders segment) |
Film Editing by
| Michelangelo Antonioni | ||
| Claudio Di Mauro | ||
| Peter Przygodda | ... | (Wenders segment) |
| Lucian Segura | ... | (Wenders segment) |
Editorial Department
| Lucilla Caldani | ... | assistant editor |
| Pasquale Cuzzupoli | ... | color timer |
| Cristiana Monteverde | ... | assistant editor |
| Marie-Christine Ratel | ... | assistant editor |
| Corinne Rozenberg | ... | assistant editor |
| Anne Schnee | ... | assistant editor |
| Sylvia Vargas-Gomez | ... | post-production coordinator |
Casting By
| Nathalie Cheron | ||
Production Design by
| Thierry Flamand | ||
Art Direction by
| Thierry Flamand | ||
| Denis Renault | ||
Set Decoration by
| Denis Barbier | ||
| Marie-Noëlle Giraud | ||
Costume Design by
| Bibi Zeeba Miraie | ||
| Esther Walz | ||
Makeup Department
| Angela Anzimani | ... | hair stylist: M. Mastroianni |
| Anthony Gaillard | ... | special makeup effects artist |
| Judith Gayo | ... | makeup artist |
| Fernando Mendes | ... | hair stylist |
| Pierre-Olivier Thevenin | ... | special makeup effects artist (as Pierre-Olivier Thévenin) |
Production Management
| Loretta Bernabei | ... | production manager |
| Ornella Bernabei | ... | unit manager |
| Arlette Danis | ... | production manager |
| Bernard Grenet | ... | production manager |
| Thierry Guilmard | ... | unit manager |
| Didier Hoarau | ... | unit manager |
| Yorick Kalbache | ... | unit manager |
Second Unit Director or Assistant Director
| Beatrice Banfi | ... | first assistant director |
| Marilisa Calò | ... | second assistant director |
| Antonin Dedet | ... | trainee assistant director |
| Guillaume Dunand | ... | trainee assistant director |
| Frédéric Garson | ... | trainee assistant director (as Fred Garson) |
| Franck Lebreton | ... | trainee assistant director |
| Francesca Marra | ... | second assistant director |
| Gianluca Mazzella | ... | second assistant director |
| Jean-Marc Moutout | ... | trainee assistant director |
| Bruno Resnais | ... | assistant director |
| Lionel Sigwald | ... | trainee assistant director |
Art Department
| Bruno Charton | ... | second assistant decorator |
| Luc Compère | ... | construction chief (as Luc Compere) |
| Marie Desforge | ... | chief painter |
| Jean-Philippe Geoffriau | ... | chief carpenter |
| Dominique Hue | ... | property master: furniture |
| Marie-Noelle Humbert | ... | painter (as Marie-Noëlle Humbert) |
| Nicolas Joliet | ... | constructor |
| Henri Moisan | ... | property master: stage |
| Patrick Morrison | ... | painter: Cezanne painting |
| Philippe Moutard | ... | painter |
| Denis Renault | ... | first assistant decorator |
| Angela Scandura | ... | trainee decorator |
| Sabry Tchal Gadjieff | ... | trainee decorator |
| Jean-Claude Tenes | ... | constructor |
| Alain Veyssier | ... | first assistant decorator |
| Bertrand Vuarnesson | ... | constructor |
Sound Department
| Paolo Amici | ... | sound effects editor |
| Vincent Arnardi | ... | re-recording mixer |
| Jérôme Ayasse | ... | sound assistant |
| Benoît Hardonniere | ... | sound assistant |
| Gérard Hardy | ... | sound editor |
| Thierry Lebon | ... | sound mixer |
| Denis Martin | ... | sound assistant |
| Nadine Muse | ... | sound editor |
| Massimo Rinchiusi | ... | sound synchronisation |
| Jean-Pierre Ruh | ... | sound |
| Tullio Arcangeli | ... | sound effects editor (uncredited) |
| Roberto Cappannelli | ... | dubbing mixer (uncredited) |
| Paolo Pucci | ... | sound effects editor (uncredited) |
| David Quadroli | ... | sound effects editor (uncredited) |
| Frédéric Salles | ... | Sound trainee (uncredited) |
Special Effects by
| Massimo Cardajoli | ... | scenic special effects |
| Massimo Cristofanelli | ... | scenic special effects |
| Christian Guillon | ... | special effects |
| Vladimir Kostovic | ... | scenic special effects |
| Didier Kwak | ... | special effects |
| Gilbert Pelosi | ... | scenic special effects |
| Maurice Zisswiller | ... | scenic special effects |
Camera and Electrical Department
| Pierre-Louis de Stefano | ... | grip |
| Philippe Garnier | ... | grip |
| Pierre Garnier | ... | grip |
| Patrick Gasché | ... | electrician |
| Agnès Godard | ... | second camera operator |
| Agostino Gorga | ... | gaffer |
| Valerio Gorga | ... | electrician |
| Masahiko Kishino | ... | still photographer |
| Ali Lakrouf | ... | second assistant camera |
| Jean-Marie Leroy | ... | still photographer |
| Emiliano Leurini | ... | second assistant camera |
| Sébastien Lizot | ... | electrician |
| Maurizio Lucchini | ... | first assistant camera |
| Romano Martiri | ... | electrician |
| Richard Melloul | ... | still photographer (as Richard Meloul) |
| Thierry Montendre | ... | electrician |
| Carlo Montuori | ... | steadicam operator/"b" camera operator |
| Mario Occhioni | ... | grip |
| Philippe Peyraud | ... | electrician |
| Ennio Picconi | ... | key grip (as Ennio Piconi) |
| Antonio Piselli | ... | electrician |
| Christopher Porter | ... | gaffer |
| Emidio Prioletta | ... | genny operator |
| Giancarlo Rocchetti | ... | key grip |
| Massimo Rocchi | ... | gaffer |
| Sandro Rubeo | ... | first assistant camera |
| Gilbert Seybald | ... | electrician |
| Jean-Pierre Supe | ... | first assistant camera |
| Pim Tjujerman | ... | first assistant camera |
| Pino Venditti | ... | camera operator |
| Donata Wenders | ... | still photographer |
| Wim Wenders | ... | still photographer |
| Jörg Widmer | ... | steadicam operator |
Costume and Wardrobe Department
| Anne-Marie Sanchez | ... | dresser |
| Ingrid Weiss | ... | dresser |
Location Management
| Emmanuelle Duplay | ... | location manager |
| Davide Zanni | ... | location manager |
Music Department
| Angelo Talocci | ... | music editor |
| Bruno Mercere | ... | score mixer (uncredited) |
Script and Continuity Department
| Aruna Villiers | ... | script supervisor |
Transportation Department
| Barbara Badii | ... | driver |
| Cosimo Di Modugno | ... | driver |
| Eugenio Fortuna | ... | driver |
| Marco Francescon | ... | driver |
| Elisabetta Mattioli | ... | driver |
Additional Crew
| Enrica Antonioni | ... | executive consultant |
| Ariel Askénazi | ... | financial director (as Ariel Askenazi) |
| Valérie Benedetto | ... | assistant studio manager |
| Nicoletta Billi | ... | publicist |
| Andrea Boni | ... | assistant: Michelangelo Antonioni |
| Nathalie Carles | ... | production secretary |
| Jolanda Darbyshire | ... | assistant: Wim Wenders |
| Françoise Della Libera | ... | production administrator |
| Andrea Gebert | ... | production administrator |
| Patrick Lemaire | ... | groupman |
| Loredana Manili | ... | production secretary |
| Louise Meschini | ... | assistant studio manager |
| Fabrizio Mosca | ... | assistant studio manager |
| Enzo Pardo | ... | projectionist |
| Monique Pautas | ... | production administrator |
| Mathieu Schiffman | ... | assistant studio manager |
| Catherine Siné | ... | production secretary |
| Giancarlo Tumino | ... | assistant studio manager |
| Cristiana Valle | ... | production administrator |
| Roland Vallet | ... | production administrator |
| Donata Wenders | ... | assistant: Wim Wenders |
| Nora Wischnat | ... | production assistant: Road Movies |
Thanks
| Paola Brusati | ... | thanks |
| Giovanni Malagò | ... | thanks |
| Maria Lodovica Marini | ... | special thanks |
| Gilberto Mora | ... | thanks |
| Anna Quarzi | ... | thanks |
Production Companies
- Sunshine
- France 3 Cinéma
- Ciné B
- Cecchi Gori Group Tiger Cinematografica (co-production)
- Road Movies Zweite Produktionen (co-production)
- Canal+ (with the participation of)
- ARD (Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland) (with the participation of)
- ARD Degeto Film (with the participation of)
- Centre national du cinéma et de l'image animée (CNC) (support)
- Eurimages (support)
- Club d'Investissement Média (co-production)
- European Script Fund (support)
- Société des Producteurs de Cinéma et de Télévision (Procirep) (support)
- Wim Wenders Stiftung
Distributors
- Artificial Eye (1996) (United Kingdom) (theatrical)
- Cecchi Gori Distribuzione (1995) (Italy) (theatrical)
- Lider Films (1998) (Argentina) (theatrical)
- Pan Européenne Distribution (1996) (France) (theatrical)
- Rosebud (1996) (Greece) (theatrical)
- Alta Films (Spain)
- Aquarius TV (2006) (Greece) (DVD)
- Arthaus (2005) (Germany) (DVD)
- Asociace Ceských Filmových Klubu (ACFK) (Czechia)
- Atalanta Filmes (Portugal)
- Canal+ (1997) (France) (tv)
- Cecchi Gori Home Video (2001) (Italy) (DVD)
- Gativideo (1999) (Argentina) (VHS)
- Iris (2016) (Italy) (tv)
- Olive Films (2012) (Canada) (DVD)
- Olive Films (2012) (United States) (DVD)
- Sceneries Distribution (1999) (United States) (subtitled)
- Telefilm Hellas (1996) (Greece) (VHS)
- Umbrella Entertainment (2011) (Australia) (DVD)
- Umbrella Entertainment (2011) (Australia) (tv)
- Umbrella Entertainment (2011) (Australia) (video) (VOD)
Special Effects
Other Companies
Storyline
| Plot Summary |
Four short tales are linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence, and Paris, each story, always with a woman as its crux, invites the viewer to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".
Written by Oscar Esteban |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | In order to obtain the covering insurance needed to put the film into production, Michelangelo Antonioni (who was still recovering from a severely debilitating stroke) had to agree to have a secondary director on staff, ready to take over from him at any time. His choice, Wim Wenders, even provided the prologue and epilogue for the film. See more » |
| Movie Connections | Featured in To Make a Film Is to Be Alive (1995). See more » |
| Soundtracks | Unknown Love See more » |
| Quotes |
Patricia:
[translation]
Everything is ridiculous. Love is ridiculous. It has to be said. It's an illusion, a trap. But the trap is mysterious, so we all fall into it. Like stewed prunes! See more » |