6.5/10
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44 user 36 critic

Beyond the Clouds (1995)

Al di là delle nuvole (original title)
Not Rated | | Drama, Romance | 27 October 1995 (Italy)
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »

Writers:

Tonino Guerra, Michelangelo Antonioni (screenplay) | 3 more credits »

On Disc

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3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Fanny Ardant ... Patricia
Chiara Caselli ... Mistress
Irène Jacob ... The Girl
John Malkovich ... The Director
Sophie Marceau ... The Girl
Vincent Perez ... Niccolo
Jean Reno ... Carlo
Kim Rossi Stuart ... Silvano (as Kim Rossi-Stuart)
Inés Sastre ... Carmen (as Ines Sastre)
Peter Weller ... Husband
Marcello Mastroianni ... The Man of All Vices
Jeanne Moreau ... Friend
Enrica Antonioni Enrica Antonioni ... Boutique Manager
Carine Angeli Carine Angeli
Alessandra Bonarotta Alessandra Bonarotta ... (as Alessandra Bonarota)
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Storyline

Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see". Written by Oscar Esteban <oscar-esteban@p4.virtual.encomix.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Germany | Italy

Language:

French | English | Italian

Release Date:

27 October 1995 (Italy) See more »

Also Known As:

Más allá de las nubes See more »

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Box Office

Gross USA:

$30,890, 12 December 1999
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Michelangelo Antonioni's first film after suffering a stroke in 1985. See more »

Quotes

Patricia: [translation] Everything is ridiculous. Love is ridiculous. It has to be said. It's an illusion, a trap. But the trap is mysterious, so we all fall into it. Like stewed prunes!
See more »

Alternate Versions

There are two slightly different versions of the movie, the difference ocurring at the end. The US version of 'Beyond The Clouds' (Al di là delle nuvole, 1995) lacks the complete voice-over narration by John Malkovich's character at the end of the movie, from the moment he enters the hotel until the last image, before going to credits. The only line heard is: 'The director's profession is very peculiar...'; whereas the European cut of the movie contains a longer narration, also starting with the same line, but expanding until the last image before fading to credits. The voice-over talks about how the director's profession is to find images, only to discover another image beneath the previous one which is more faithful to the truth, and then another, and another, until you reach the one which equals reality, the one no one will ever see. Both versions are equally powerful in their own right, though it's interesting to note such a minor difference was made in the first place. Both versions are available, the US version was released in DVD, and the European version is available in VHS only. See more »

Connections

References La Notte (1961) See more »

Soundtracks

Your Blue Room
(uncredited)
Performed by the collected members of U2 and Brian Eno ("Passengers")
See more »

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User Reviews

 
Failure of the critic - one more praising commentary
5 March 2001 | by kpoluaktovaSee all my reviews

I first saw the movie a couple of years ago and was totally and utterly impressed but its sensuality. It is one of the most touching films I have ever seen, though it might appear a little bit pretentious and artificial - too much beautiful, if you will. Anyway, one thing is for sure - the camera man has done a great job - each picture deserves to be cut off the film and displayed as a separate peace of art, comparable to the Chirico's or Bernard Buffet's paintings.

The music forms a perfect background for the story, especially U2's one played between the first and the second novels at the beach scene. As for the casting - I cannot be objective since I like Sophie Marceau and Jean Renaue very much and cannot add more to the praising comments of others.

However, the very fact that many people (critics and those sophisticated in cinema) criticized the movie made me watch it with a more critical eye for the second time. No doubt, the setting is splendid and the casting is gorgeous. But this is somehow not enough to make a comprehensive and cohesive film. The second novel (when Sophie Marceau tells her story to Malcovic is somehow superficial and does not tell much about the motivations of the people involved - was it only about shooting a beautiful and sensual love scene with the naked Marceau or what?). Apparently, it does not add anything to the idea of the movie and even the husky voice of Malcovic is being unable to link it to the main plot.

Other stories are more justified and are really beautifully shot, which indulges many of the logic fallacies within them. The scene when Jean Reneau is overlooking the city through the huge window of his apartment on the top of the high building is absolutely incredible. The feeling of moist air and fine haze, which is being spread by the first "Ferrera" scene can literally be sensed through the screen. No doubt, Antonioni is a great master of shades and semi-shades. My favorite novel is the last one - the most romantic, deep and meaningful - I guess that it the most Antonioni-like one in the whole movie - almost a parable.Probably, the overall positive impression from the movie is mainly due to the last one shot somewhere in a small Ghotic Italian town, with its winding narrow streets and crooked pavements, fountains with the l'eau potable and monumental cathedrals... It was laconic but really touching.

I hope that my impressions and comments on the movie, however chaotic they are would motivate somebody to spend an evening watching it (it works better with the home theater, having somebody caring by your side, than in the movie theater). Enjoy.

I beg your pardon for the imperfect English and any possible misspellings


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