After being thrown out of her house, Maria encounters a married woman who complains of not having children. Maria ends up in an abandoned house, where she meets Matthew. When a baby is kidnapped Maria sets out to find the woman.
New Jersey, 1950s. Two brothers run an Italian restaurant. Business is not going well as a rival Italian restaurant is out-competing them. In a final effort to save the restaurant, the brothers plan to put on an evening of incredible food.
Glenn Holland is a musician and composer who takes a teaching job to pay the rent while, in his 'spare time', he can strive to achieve his true goal - compose one memorable piece of music to leave his mark on the world. As Holland discovers 'Life is what happens to you while you're busy making other plans' and as the years unfold the joy of sharing his contagious passion for music with his students becomes his new definition of success.Written by
Although his character, "Glenn Holland" uses rock and pop music in class (and at one point says he "loves it") and is also a fan of jazz, Richard Dreyfuss confessed on Inside the Actors Studio that he has always hated rock and roll, and the one sound that he hates most is "the electric guitar." See more »
Throughout the film, it is obvious that the band "musicians" (particularly the horns and woodwinds) aren't really playing their instruments. Beyond the bizarre fingerings, great sound pours out, yet the players' lips, cheeks, and neck muscles show no movement or exertion. See more »
So many people have complained about the Gertrude Lang character (Alicia Witt), Holland's interaction with her, and the purpose of the character, and I am simply amazed at the hostility.
1) "Playing the sunset" was Holland's way of getting Gertrude to relax so she could play the notes fluidly. They both knew that she didn't sound professional, and wasn't going to. The idea was to get her just above the level of making a fool of herself as she did the first time he called on her in class. Then she could, and did, perform in the band without dragging down the whole ensemble.
2) Her goal was not to be a professional musician. Did no one else hear her speech about "I just wanted to be good at *something*"? She listed all the fabulous achievements of her parents and siblings, and concluded, "I'm the only one who's..." The missing word would have been "useless" or "worthless". Or "a failure". Thirty years later she's the governor (not the mayor!), because in 1966, Holland helped her gain confidence for the first time.
3) She wasn't "wasting" Holland's efforts by going into politics. Art, music and theater education don't exist solely to create professional artists, musicians and actors. They also exist to give young people an opportunity for change and growth, even if they never use a paintbrush again.
I liked that plot twist. Almost every high school has an alumnus who has achieved something in art or entertainment, but a lot of people sell one painting or appear in one film and become a hero to their home town. But there are only fifty states, and it takes an extraordinary amount of drive to become governor of one of them. It's unlikely that she would have taken that first step towards empowerment without Holland.
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