A young girl travels to Cairo to visit her father, and becomes unwillingly involved with a bizarre sadomasochistic cult led by the charismatic Paul Chevalier, who is a descendant of the ... See full summary »
When an accident involving a folding machine at an old laundry occurs, detective John Hunton decides to investigate. What he finds is the owner of the laundry, Bill Gartley. Meanwhile the folding machine has acquired a taste for the flesh of human beings, but is there more to Bill Gartley than meets the eye, and does he know what monster hides behind the machine?Written by
Action Dan <email@example.com>
There is a gate in the background in one of the beginning scenes, after Sherry initially hurts herself on the clamp. A banner on the gate reads "labor will set you free", just as the gate into Auschwitz read. See more »
The Unrated version is about 30 secs longer than R-rated. Here are the differences:
Sherry tries to rescue Mrs. Frawley from the mangler by grabbing her legs. Just after she has done that, there is a bloody close up of Frawley's head inside the machine (2 sec)
About 16 secs later there is another close up of Frawley inside the machine. It shows her upper body covered in blood (2 sec)
The death of Frawley is also shown in close up. It shows when her head is crushed by the roller. (2 sec)
When Pictureman takes the second picture of Frawleys mangled body, the close up stays longer and shows a pile of flesh (3 sec)
In the scene where George gets stuck in the machine, a close up is shown when the axe hits his arm, it sprays blood first on the man who cut Georges arm, then on Sherry. Gartley yells "Sherry", a close up of Georges face and the bloody stump is then shown. George yells in agony and Sherry looks up to Gartley. This lasts about 11 sec
When Lin Sue gets killed, it shows in close up her body beeing mangled (2 sec)
A few sec later, there is another close up of her mangled body ( 2 sec)
The death of Gartley, it shows a 5 sec shot when his thigh gets folded to his stomach. Intercut is close ups of Hunton.
About 14 sec later when Gartley finally has been mangled, a close up of his waist is shown, it sprays blood up in the air. What only remains is his upper body (2 sec)
A 3.0? Really? Have horror fans suddenly come down with a case of collective amnesia in the facts in the case of Tobe Hooper? The same director whose signature traits include a smattering of extreme gore garnished with dark humor? The man who made one of the most influential, landmark films of the 1970s ("The Texas Chainsaw Massacre")? I mean, granted, Hooper's career has been frustratingly inconsistent overall, but "The Mangler"--easily one of his most maligned works--is an unsung gem that suggests his tongue was planted firmly in cheek, but nobody really noticed. While the concept alone has "disaster" written all over it (a feature-film rendering of a Stephen King short story), what Hooper does with (and to) "The Mangler" is, really, what should have been done with "Graveyard Shift": he tears into the story with the veracity of a mental patient chewing the head off a rag-doll, elevating the absurdist elements to their breaking point, filling the film with (un)intentional humor to counteract the bloodletting, and fleshing out the characters and concept into a satisfying marriage of B-movie bliss. The plot? It's all about an anachronistic laundry facility where an ugly beast of a steam press starts folding the employees into bloody pulp; a pill-popping, chain-smoking local cop (Ted Levine) and his wiccan brother-in-law (Daniel Matmor) suspect foul play on the part of the disabled owner (Robert Englund, once again under a heavy latex mask), but the real reason is much more sinister (Hooper does succeed in making a compelling argument for the ridiculous explanation). While I haven't read King's short story, I will say that the script (by Hooper, Stephen Brooks, and Peter Welbeck) efficiently captures the quirky, small-town mannerisms of his characters, juxtaposed against evil spawned out of the banal territory of Everyday Life. While Hooper is unable to sustain the tricky balance between terror and dark humor that has made "Texas Chainsaw" so endearing, he ultimately transforms "The Mangler" into a sturdy, clean-burning B movie, buoyed by fantastic performances by Englund and especially Levine (who seems to be operating under the influence of a perpetual hangover).
21 of 29 people found this review helpful.
Was this review helpful to you?
| Report this