Brodie Bruce, a Sega and comic book obsessed college student, and his best friend, TS Quint, are both dumped by their girlfriends on the same day, and to deal with their loss, they both go to the local mall. Along the way, they meet up with some friends, including Willam, a guy who stares at Magic Eye pictures, desprately trying to see the hidden image; Gwen, one of TS's ex-girlfriends; and Jay & Silent Bob, of Clerks fame. Eventually, they decide to try and win back their significant others, and take care of their respective nemesises (TS's girlfriend's father, and a store clerk who hates the two for not having any shopping agenda).Written by
MTRodaba2468
The scene where backstage before the game show ran by Jared Svenning starts, Roddy yelled at T.S. and Brodie quoting "You called down the thunder, now you got it"! That's the same line that was quoted by Wyatt Earp in Tombstone (1993). Kurt Russell played Wyatt Earp along side Michael Rooker, who played Sherman McMasters. Rooker's character was present when Russell quoted this line. The whole line is "All right, Clanton... you called down the thunder, well now you've got it! You see that? It says United States Marshal! Take a good look at him, Ike... 'cause that's how you're gonna end up! The Cowboys are finished, you understand? I see a red sash, I kill the man wearin' it! So run, you cur... RUN! Tell all the other curs the law's comin. You tell 'em I'M coming... and Hell's coming with me, you hear?... Hell's coming with me!" See more »
Goofs
In the "Truth or Date" game show, Suitor #3 is introduced as a student at Rutgers majoring in Greek Mythology. There is no such major; he could major in the Classics and that would include studying Greek Mythology, as well as several similar classes. Rutgers offers a major in the Arts and Sciences but not specifically the Classics. See more »
Quotes
Brodie:
You fuckers think just because a guy reads comics he can't start some shit?
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DVD Collector Edition includes almost an hour of outtake footage, including an entirely different opening setup for the movie where T.S. meets Brandi over a rooftop while her father is hosting a luncheon for the governor of New Jersey, hoping to get funds for his public access cable programs. T.S. is mistaken by the bodyguards for a sniper and the governor is hospitalized in the ensuing mayhem. See more »
As most Smith fanboys know, Mallrats has been trashed critically, financially (bad box-office) and by a lot of Smith's own fan-base.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.
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As most Smith fanboys know, Mallrats has been trashed critically, financially (bad box-office) and by a lot of Smith's own fan-base.
Personally I like it. Even without watching the DVD with commentary by Smith its obvious that this outing was backed by Hollywood, emitting a polish and lack of gloom that his other films don't have and thus gaining flack over its lack of "Indie" look and feel and hammy storyline. Had this film been in black in white, shot using a cheaper production method, or had a less happier ending, it possibly would have fared better with the fans than it did.
Listen to the dialogue though and its soon apparent this is indeed pure Smith. And it shines. The long diatribes about seemingly nothing, the anti-establishment rumblings of Brody (who ironically spends a lot of the film clarifying escalator ettiquite and other mall law), and a bigger involvement of Jay and Bob (but not too much) make this as good, if not better than the other Kevin Smith films and quite possibly my favourite of his.
Its hard to rate this film, you'll either really like it and give it a 10 or tuck into another chocolate pretzel after giving it a 1.