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Lumière et compagnie (1995)

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1:23 | Trailer

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40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière brothers.

Directors:

(as Theo Angelopoulos), | 39 more credits »

Writer:

(original idea)
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Cast

Credited cast:
...
Himself
Jeffe Alperi ...
Policeman (segment "David Lynch")
...
Himself (as Théo Angelopoulos)
...
(segment "Claude Miller")
Michele Carlyle ...
(segment "David Lynch")
...
Himself
Lou Chapiteau ...
(segment "Claude Miller") (as sa petite fille Lou)
Marc Chapiteau ...
(segment "Claude Miller")
...
(segment "Claude Lelouch")
...
(segment "Jaco Van Dormael")
...
Damiel (segment "Wim Wenders")
Charles Gérard ...
(segment "Claude Lelouch")
...
(segment "Claude Lelouch")
...
Récitante: Segment Abbas Kiarostami (voice)
...
Himself
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Storyline

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic. Written by Mike D'Angelo <mqd8478@is2.nyu.edu>

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

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Details

Country:

| | |

Release Date:

20 December 1995 (France)  »

Also Known As:

Lumière and Company  »

Filming Locations:

 »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

John Boorman's short film was shot on the set of Neil Jordan's Michael Collins (1996). See more »

Connections

Referenced in Michael Collins (1996) See more »

Soundtracks

Les Atrides
Jean-Jacques Lemêtre
Edition Théâtre du Soleil
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User Reviews

 
Actually quite an impressive project
19 December 2001 | by See all my reviews

This video was given to me by a friend who knows that I look at film not merely as entertainment, but art as well. This project with its 40-odd 50 second vignettes done by a mix of directors of varying talents and celebrity, using an antiquated camera, gives an opportunity to see snapshots of their work as pure art. All of them are at least passable, with over half being very, very good. A few of them are truly outstanding, the most notable being Andre Konchalovsky's gem on life, death, temporality and nature. David Lynch's segment is a close second. I highly recommend this to any serious student of film as art.


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