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Le jardin oublié: La vie et l'oeuvre d'Alice Guy-Blaché (1995)

The story of forgotten silent filmmaker Alice Guy and her more than 700 films.




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I am Alice Guy-Blaché, the first female film director. I made my first film in 1896 at age 23. I went on to write, direct, or produce more than 1,000 films.

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Alice Guy-Blaché (TV Movie 1997)
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A one-hour biographical documentary about Alice Guy-Blaché, one of the first women to direct films.

Director: Katja Raganelli
Stars: Daniele Legler, Eva Mattes


Credited cast:
... Herself (archive footage)
Roberta Blaché ... Herself (daughter-in-law of Alice Guy)
Adrienne Blaché-Channing ... Herself (granddaughter of Alice Guy)
André Gaudreault ... Himself (Université de Montréal)
... Herself
Nicolas Seydoux ... Himself (Gaumont)
Anthony Slide ... Himself (historian)
Alan Williams ... Himself (historian)
Rest of cast listed alphabetically:
... Simone Blaché (English version) (voice)
... Alison McMahan (voice)
... Simone Blaché / Alice Guy-Blaché (English version) (voice)
Kathleen Fee ... Adrienne Blaché-Channing (voice)
... Alan Williams (voice)
Kelly Ricard ... Roberta Blaché (voice)
... Anthony Slide (voice)


The story of forgotten silent filmmaker Alice Guy and her more than 700 films.

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Also Known As:

The Lost Garden  »

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User Reviews

A Cinema Pioneer Remembered
28 May 2001 | by See all my reviews

Neglected for a century, the aged woman's cinema treasures, like THE LOST GARDEN in a fairy tale, await rediscovery by a new generation.

This poignant & thoughtful documentary introduces the viewer to Alice Guy-Blaché (1873-1968), finally being acknowledged as the world's first - and for many years, only - female film director. Through the narration of her granddaughter, Adrienne Blaché-Channing, the viewer is introduced to a charming old lady with a remarkable past.

Present at the very birth of the cinema in Europe, Guy-Blaché, through a series of fortunate circumstances, went on to direct hundreds of two-reelers in France & America from 1896 to 1920. Long before talkies arrived in 1927, she was pioneering the synchronization of motion pictures & sound. Today, tragically, she is virtually forgotten.

Artistic flair is used in seemingly integrating interviewees directly into the ancient films. Using tantalizing selections from her surviving films - and a TV interview she granted before her death - the documentary gives a very good summary of Guy-Blaché's importance to the history of the moving picture.

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