A plantation owner's son falls in love with a slave named Easter and together they have a Mixed race daughter named Queen. As Queen grows up, she faces the struggle of trying to fit into ... See full summary »
A rich man's wife finds she has a bad prenuptial agreement with an even worse husband. Over drinks with a stranger, she fantasizes about doing her husband in to void the prenupt. The ... See full summary »
Amy Holden Jones
In 1950s Massachusetts, a wealthy black woman engaged to a poor white beatnik learns about her family history. The stories revolve around the racial and class complexities of interracial and class-based marriages.
Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a ... See full summary »
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
Helen is the young girlfriend of good-looking Jackson Baring. When Helen gets pregnant and marries Jackson, they decide to move to his family farm, Kilronan, and have a baby there. But his ... See full summary »
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
An African-American baby, abandoned by his crack addicted mother is adopted by a white social worker and her husband. Several years later, the baby's mother finds out her son is not dead, as she thought before and goes to court to get him back.Written by
Cyndi Kessler <firstname.lastname@example.org>
Khaila could not have known that Isaiah "liked to play with blocks", since she had not had him with her while he was growing up from infancy, and he'd always just sullenly moped around whenever he was at her apartment and never wanted to play or interact with the other children at day-care, so Khaila would never have seen Isaiah when he was truly just "at play" and thus learned what toys were his favorites. See more »
What is it you don't want him to know, huh? That his mother is as black as he is?
"Black!" All you people think about is color!
You people? You *people*? Well, you better look around, cause me and Isaiah, we the same kind of people. Or didn't you notice?
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Try watching this movie sometime with a white woman who is the adoptive mother of an African-American child. I happen to baby-sit such a family and watched the movie with the kids' mother. I don't know how she sat through it without throwing something at the screen-not that this is necessarily a criticism. This film is very thought-provoking, though I think for the wrong reasons. The main focus is all about color and whether people should raise children of different races. Jessica Lange's character had a small speech in the courtroom about how love makes a family more than race, but it was just glossed over and the focus of the film went right back to race defining families. Maybe I just see this differently because of my close association with a family where the parents and one child are white and the other child is not, but family is not about race-corny as this may sound, it really is about love and support. The ending, as some other reviewers have said, is very wishy-washy. My viewing companion and her husband, who joined us at the end, liked it because they want to have a good relationship with their daughter's birth mother. I agree with them on that, but if the movie is going to deal with legalities so much, it should resolve those legalities at the end of the movie.
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